• Penichon_DyeImbitionProcess_2013_1-web

1 Image

Hydrotypie / Hydrotype / dye transfer

Subtractive 3 color: Dye transfer, still photography
“In the imbibition process, a dye image is transferred from a gelatin relief image to a receiving layer made either of paper or film. Charles Cros described this method of “hydrotypie” transfer printing in 1880 and suggested it ...

Pinatype / Pinatypie

Subtractive 3 color: Dye transfer, still photography
“In the imbibition process, a dye image is transferred from a gelatin relief image to a receiving layer made either of paper or film. Charles Cros described this method of “hydrotypie” transfer printing in 1880 and suggested it ...
  • Pinatypie_cyan-magenta.jpg

4 Images

Handschiegl / DeMille-Wyckoff / Wyckoff Process

Applied color: Imbibition
Similar to stenciling, the Handschiegl process was applied mechanically to manually defined image parts. Therefore it is an applied color process. After the film was shot and edited, for each color applied a separate print was made. In contrast to ...
  • LOC_24281-1-6_LightsOfOldBroadway_Handschiegl_HDR_IMG_0048_single

29 Images in 3 Galleries

Traube / Uvachrome

Subtractive 3 color: Mordanting, dye transfer, wash-off relief, still photography
“In the imbibition process, a dye image is transferred from a gelatin relief image to a receiving layer made either of paper or film. Charles Cros described this method of “hydrotypie” transfer printing in 1880 and suggested it ...
  • Penichon_Uvachrome_2013_1-web

3 Images

Kelleycolor

Subtractive 2 color: Dye transfer
“In 1919 Kelley produced a series of coloured cartoons which were drawn by Pinto Colvig. In 1924 he introduced “Kelleycolor,” which was an imbibition process. Two colours were imbibed on a black-and-white key image. In 1926 he ...
  • GEH_OldFamilyToothbrush_2.jpg

1 Image

Technicolor No. III

Subtractive 2 color: Beam-splitter, dye transfer
The third Technicolor process used the same camera as process no. II to combine a pair of frames of the red and green record respectively on the b/w negative (see image). In contrast to the former process, however, the two images were printed on one ...
  • Margaret Herrick Library

368 Images in 18 Galleries

Technicolor No. IV: Three-strip

Subtractive 3 color: Color separation, beam-splitter, dye transfer
With the fourth Technicolor process the company dominated the market for color films from the mid-1930s to the 1950s. In a special camera, three b/w negative films were exposed through a beam-splitter that consisted of two prisms to form a cube. One ...
  • Gone with the Wind (1939)

653 Images in 24 Galleries

Russian three-color process

Subtractive three color
  • Soviet3_testament1

6 Images

  • Pénichon (2013): Twentieth Century Colour Photographs.

2 Images

Technichrome

Subtractive 2 color: Dye transfer, 2 color bi-pack, 3 color printing

Technicolor No. V: Dye transfer prints from Eastmancolor negative

Subtractive 3 color: Dye transfer
With the introduction of the chromogenic Eastmancolor negative/positive process it became possible to shoot with a normal one-strip camera. Three b/w color separations were produced from the Eastmancolor negative and printed by dye transfer on blank ...
  • Written on the Wind (1956)

441 Images in 11 Galleries

Dymat Process

Subtractive 3 color: Dye transfer, Super-8

Technicolor No. VI: Dye-transfer prints from enhanced process

Subtractive 3 color: dye transfer
In 1994, Technicolor announced the development of an enhanced dye-transfer process. This process became effective in  June 1997. There was no official denomination, so “Technicolor No. VI” is not to be confused with statements from the mid ...