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    81 Results


    Quote

    Ryan, Roderick T. (1977): A History of Motion Picture Color Technology. London: Focal Press, on p. 153.

    Quote

    Davies, E. R. (1936): The Kodachrome Process of 16 mm. Colour Kinematography. In: The Photographic Journal, 76, pp. 248–253.

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    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on pp. 39–44.

     

     

    Quote

    Kisner, W. I. (1962): A Higher Speed Color Print Film. In: Journal of the Society of Motion Picture and Television Engineers, 71,10, pp. 779–781.

    Quote

    Pochadt, Eberhard (1969): Das 16-mm-Gevachrome-Programm im praktischen Fernsehbetrieb. In: Fernseh- und Kinotechnik, 23,8, pp. 244–246, on pp. 244–245. (in German


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    Written on the Wind (1956)


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    Written on the Wind (1956)

    Quote

    Wyckoff, A. (1941): Gasparcolor Comes to Hollywood. In: American Cinematographer, 22,11, Nov., pp. 510–511.

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on p. 131. (in French)

    Quote

    Keene, G. T.; Clifford, J. D. (1962): Commercial Systems for Making 8mm Prints. In: Journal of the Society of Motion Picture and Television Engineers, 71,6, pp. 447–449.


    Image

    Written on the Wind (1956)


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    Written on the Wind (1956)

    Quote

    Mees, C. E. Kenneth (1937): The Development of the Art and Science of Photography in the Twentieth Century. In: Journal of the Society of Motion Picture Engineers, 28,1, pp. 3–20, on pp. 13–14.


    Image

    Written on the Wind (1956)


    Image

    Written on the Wind (1956)

    Quote

    Pochadt, Eberhard (1969): Das 16-mm-Gevachrome-Programm im praktischen Fernsehbetrieb. In: Fernseh- und Kinotechnik, 23,8, pp. 244–246, on p. 245. (in German)


    Image

    Written on the Wind (1956)

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 131–133. (in French)

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 131–133. (in French)


    Image

    Written on the Wind (1956)

    Quote

    Keene, G. T.; Clifford, J. D. (1962): Commercial Systems for Making 8mm Prints. In: Journal of the Society of Motion Picture and Television Engineers, 71,6, pp. 447–449.

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 128–129. (in French)

    Quote

    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on p. 42.


    Image

    Written on the Wind (1956)

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 131–133. (in French)


    Image

    Written on the Wind (1956)

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, pp. 216–218. (in Italian)