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    77 Results


    Quote

    Davies, E. R. (1936): The Kodachrome Process of 16 mm. Colour Kinematography. In: The Photographic Journal, 76, pp. 248–253.

    • Written on the Wind (1956)
    Image

    Written on the Wind (1956)

    Quote

    Keene, G. T.; Clifford, J. D. (1962): Commercial Systems for Making 8mm Prints. In: Journal of the Society of Motion Picture and Television Engineers, 71,6, pp. 447–449.

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 128–129. (in French)

    Quote

    Pochadt, Eberhard (1969): Das 16-mm-Gevachrome-Programm im praktischen Fernsehbetrieb. In: Fernseh- und Kinotechnik, 23,8, pp. 244–246, on pp. 244–245. (in German

    • Written on the Wind (1956)
    Image

    Written on the Wind (1956)

    • Written on the Wind (1956)
    Image

    Written on the Wind (1956)

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 131–133. (in French)

    Quote

    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on pp. 39–44.

     

     

    Quote

    Mees, C. E. Kenneth (1937): The Development of the Art and Science of Photography in the Twentieth Century. In: Journal of the Society of Motion Picture Engineers, 28,1, pp. 3–20, on pp. 13–14.

    • Written on the Wind (1956)
    Image

    Written on the Wind (1956)

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, pp. 216–218. (in Italian)

    Quote

    Davies, E. R. (1936): The Kodachrome Process of 16 mm. Colour Kinematography. In: The Photographic Journal, 76, pp. 248–253, on pp. 248–249.

    • [Pfingsten 1981] (1981)
    Gallery | (42 images)

    [Pfingsten 1981] (1981)

    Quote

    Keene, G. T.; Clifford, J. D. (1962): Commercial Systems for Making 8mm Prints. In: Journal of the Society of Motion Picture and Television Engineers, 71,6, pp. 447–449.

    Quote

    Ryan, Roderick T. (1977): A History of Motion Picture Color Technology. London: Focal Press, on p. 153.

    • Written on the Wind (1956)
    Image

    Written on the Wind (1956)

    Quote

    Keene, G. T.; Clifford, J. D. (1962): Commercial Systems for Making 8mm Prints. In: Journal of the Society of Motion Picture and Television Engineers, 71,6, pp. 447–449.

    Quote

    Pochadt, Eberhard (1969): Das 16-mm-Gevachrome-Programm im praktischen Fernsehbetrieb. In: Fernseh- und Kinotechnik, 23,8, pp. 244–246, on p. 245. (in German)

    • Written on the Wind (1956)
    Image

    Written on the Wind (1956)

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on p. 131. (in French)

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 131–133. (in French)

    Quote

    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on p. 42.

    • Written on the Wind (1956)
    Image

    Written on the Wind (1956)

    • Written on the Wind (1956)
    Image

    Written on the Wind (1956)

    Quote

    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on p. 42.

    Quote

    Pochadt, Eberhard (1969): Das 16-mm-Gevachrome-Programm im praktischen Fernsehbetrieb. In: Fernseh- und Kinotechnik, 23,8, pp. 244–246, on pp. 245–246. (in German)