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    72 Results


    Quote

    Brown, Simon; Street, Sarah; Watkins, Liz (eds.) (2013): Interview. Frank Littlejohn. In: British Colour Cinema. Practices and Theories. Hampshire: Palgrave Macmillan, pp. 139–146, on pp. 141–145.

    Quote

    Handley, C. W. (1935): Lighting for Technicolor Motion Pictures. In: Journal of the Society of Motion Picture Engineers, 25,5, Nov., pp. 423–431, on pp. 423–431.

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    Moritz, William (2004): Optical Poetry. The Life and Work of Oskar Fischinger. Bloomington: Indiana University Press, on pp. 228–229.

    Quote

    Ryan, Roderick T. (1977): A History of Motion Picture Color Technology. London: Focal Press, pp. 19-20.

    Quote

    Brown, Simon; Street, Sarah; Watkins, Liz (eds.) (2013): Interview. Frank Littlejohn. In: British Colour Cinema. Practices and Theories. Hampshire: Palgrave Macmillan, pp. 139–146, on pp. 141–146.

    Quote

    Handley, C.W. (1937): Advanced technique of lighting on Technicolor. In: American Cinematographer, June 1937, p. 236. View Quote

    Quote

    Beyer, Friedemann; Koshofer, Gert; Krüger, Michael (2010): UFA in Farbe. Technik, Politik und Starkult zwischen 1936 und 1945. München: Collection Rolf Heyne, on p. 49. (in German)

    Quote

    Higgins, Scott (1999): Technology and Aesthetics. Technicolor Cinematography and Design in the Late 1930s. In: Film History, 11,1, pp. 55-76. View Quote

    Quote

    Everett, Wendy (2007): Mapping Colour. An Introduction to the Theories and Practices of Colour. In: Wendy Everett (ed.): Questions of Colour in Cinema. From Paintbrush to Pixel. Oxford: Peter Lang, pp. 7–38, on pp. 20–22.

    Quote

    Moritz, William (2004): Optical Poetry. The Life and Work of Oskar Fischinger. Bloomington: Indiana University Press, on p. 220.

    Quote

    Beyer, Friedemann; Koshofer, Gert; Krüger, Michael (2010): UFA in Farbe. Technik, Politik und Starkult zwischen 1936 und 1945. München: Collection Rolf Heyne, on p. 45. (in German)

    Quote

    Misek, Richard (2007): “Last of the Kodak”. Andrei Tarkovsky’s Struggle with Colour. In: Everett, Wendy (ed.): Questions of Colour in Cinema. From Paintbrush to Pixel. Oxford: Peter Lang, pp. 161–176, on pp. 162–163.

    Quote

    Borde, Raymond (1988): Die Filmarchive und der Farbfilm. Eine Einführung. In: Gert Koshofer: Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, pp. 7–10, on p. 9. (in German)

    Quote

    Webers, Johannes; Westendorp, Kurt (1979): Einführung in die Kopierwerktechnik (XV). In: Fernseh- und Kinotechnik, 33,9, pp. 334–337, on p. 334. (in German)

    Quote

    Beyer, Friedemann; Koshofer, Gert; Krüger, Michael (2010): UFA in Farbe. Technik, Politik und Starkult zwischen 1936 und 1945. München: Collection Rolf Heyne, on pp. 46–47. (in German)

    Quote

    Beyer, Friedemann; Koshofer, Gert; Krüger, Michael (2010): UFA in Farbe. Technik, Politik und Starkult zwischen 1936 und 1945. München: Collection Rolf Heyne, on p. 44. (in German)

    Quote

    Moritz, William (2004): Optical Poetry. The Life and Work of Oskar Fischinger. Bloomington: Indiana University Press, on pp. 227–229.

    Quote

    Beyer, Friedemann; Koshofer, Gert; Krüger, Michael (2010): UFA in Farbe. Technik, Politik und Starkult zwischen 1936 und 1945. München: Collection Rolf Heyne, on p. 51. (in German)

    Quote

    Beyer, Friedemann; Koshofer, Gert; Krüger, Michael (2010): UFA in Farbe. Technik, Politik und Starkult zwischen 1936 und 1945. München: Collection Rolf Heyne, on p. 45. (in German)

    Quote

    Beyer, Friedemann; Koshofer, Gert; Krüger, Michael (2010): UFA in Farbe. Technik, Politik und Starkult zwischen 1936 und 1945. München: Collection Rolf Heyne, on p. 46. (in German)

    Quote

    Bourget, Jean-Loup (1995): Esthétiques du Technicolor. In: Jacques Aumont (ed.): La couleur au cinéma. Mailand: Mazzotta, pp. 110–119, on pp. 110–112. (in French)

    Quote

    Beyer, Friedemann; Koshofer, Gert; Krüger, Michael (2010): UFA in Farbe. Technik, Politik und Starkult zwischen 1936 und 1945. München: Collection Rolf Heyne, on pp. 48–49. (in German)

    Quote

    Beyer, Friedemann; Koshofer, Gert; Krüger, Michael (2010): UFA in Farbe. Technik, Politik und Starkult zwischen 1936 und 1945. München: Collection Rolf Heyne, on p. 42. (in German)

    Quote

    Moritz, William (2004): Optical Poetry. The Life and Work of Oskar Fischinger. Bloomington: Indiana University Press, on pp. 224–225.

    Quote

    Bourget, Jean-Loup (1995): Esthétiques du Technicolor. In: Jacques Aumont (ed.): La couleur au cinéma. Mailand: Mazzotta, pp. 110–119, on pp. 113–114. (in French)

    Quote

    Bourget, Jean-Loup (1995): Esthétiques du Technicolor. In: Jacques Aumont (ed.): La couleur au cinéma. Mailand: Mazzotta, pp. 110–119, on pp. 118–119. (in French)

    Quote

    Bordwell, David; Staiger, Janet; Thompson, Kristin (1985): The Classical Hollywood Cinema. Film Style and Mode of Production to 1960. London: Routledge, on p. 353.

    Quote

    (Bourget, Jean-Loup (1995): Esthétiques du Technicolor. In: Jacques Aumont (ed.): La couleur au cinéma. Mailand: Mazzotta, pp. 110–119, on pp. 116–118.) (in French)

    Quote

    Beyer, Friedemann; Koshofer, Gert; Krüger, Michael (2010): UFA in Farbe. Technik, Politik und Starkult zwischen 1936 und 1945. München: Collection Rolf Heyne, on p. 45. (in German)

    Quote

    Bordwell, David; Staiger, Janet; Thompson, Kristin (1985): The Classical Hollywood Cinema. Film Style and Mode of Production to 1960. London: Routledge, on p. 353.