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    51 Results


    Quote

    Moritz, William (2004): Optical Poetry. The Life and Work of Oskar Fischinger. Bloomington: Indiana University Press, on pp. 226–227.

    Quote

    Beyer, Friedemann; Koshofer, Gert; Krüger, Michael (2010): UFA in Farbe. Technik, Politik und Starkult zwischen 1936 und 1945. München: Collection Rolf Heyne, on p. 50. (in German)

    Quote

    Moritz, William (2004): Optical Poetry. The Life and Work of Oskar Fischinger. Bloomington: Indiana University Press, on p. 220.

    • A Colour Box (1935)
    Gallery | (22 images)

    A Colour Box (1935)

    Quote

    Moritz, William (2004): Optical Poetry. The Life and Work of Oskar Fischinger. Bloomington: Indiana University Press, on pp. 220–221.

    Quote

    Beyer, Friedemann; Koshofer, Gert; Krüger, Michael (2010): UFA in Farbe. Technik, Politik und Starkult zwischen 1936 und 1945. München: Collection Rolf Heyne, on pp. 49–50. (in German)

    Quote

    Moritz, William (2004): Optical Poetry. The Life and Work of Oskar Fischinger. Bloomington: Indiana University Press, on pp. 228–229.

    Quote

    Moritz, William (2004): Optical Poetry. The Life and Work of Oskar Fischinger. Bloomington: Indiana University Press, on pp. 222–223.

    • Colour Flight (1937)
    Image

    Colour Flight (1937)

    Quote

    Costa de Beauregard, Raphaëlle (2009): Technicolor and Jack Cardiff’s Art and Craft in Powell and Pressburger’s A Matter of Life and Death (1946). In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 225–236, on pp. 229–230.

    Quote

    Batistová, Anna (2013): Glorious Agfacolor, Breathtaking Totalvision and Monophonic Sound. Colour and “Scope” in Czechoslovakia. In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 47-55.

    Quote

    Bordwell, David; Staiger, Janet; Thompson, Kristin (1985): The Classical Hollywood Cinema. Film Style and Mode of Production to 1960. London: Routledge, on p. 353.

    Quote

    Stokes, Melvyn (2009): Colour in American Cinema. From The Great Train Robbery to Bonnie and Clyde. In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 184–192, on pp. 186–187.