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    95 Results


    Quote

    Read, Paul; Meyer, Mark-Paul (2000): Films Coloured by Tinting. In: Paul Read and Mark-Paul Meyer: Restoration of Motion Picture Film, Oxford: Butterworth-Heinemann, pp. 182-183.

    Quote

    Abel, Richard (1996): Pathé’s “Heavenly Billboards”. In: Monica Dall’Asta, Guglielmo Pescatore and Leonardo Quaresima (eds.): Il colore nel cinema muto. Bologna: Clueb, pp. 56–76, on p. 61.

    Quote

    Abel, Richard (1996): Pathé’s “Heavenly Billboards”. In: Monica Dall’Asta, Guglielmo Pescatore and Leonardo Quaresima (eds.): Il colore nel cinema muto. Bologna: Clueb, pp. 56–76, on p. 61.

    Quote

    Yumibe, Joshua (2012): Moving Colors. Early Film, Mass Culture, Modernism. New Brunswick et al.: Rutgers University Press, pp. 4-6.

    Quote

    Anonymous (1911): Toning and Tinting as an Adjunct to the Picture. In: Moving Picture World, 8, 18.3.1911, p. 574.

    Quote

    Stokes, Melvyn (2009): Colour in American Cinema. From The Great Train Robbery to Bonnie and Clyde. In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 184–192, on p. 185.

    Quote

    Abel, Richard (1996): Pathé’s “Heavenly Billboards”. In: Monica Dall’Asta, Guglielmo Pescatore and Leonardo Quaresima (eds.): Il colore nel cinema muto. Bologna: Clueb, pp. 56–76, on p. 56.

    Quote

    Yumibe, Joshua (2012): Moving Colors. Early Film, Mass Culture, Modernism. New Brunswick et al.: Rutgers University Press, pp. 100-105.

    Quote

    Goergen, Jeanpaul (2010): Bunte Bilder aus dem Farbenbottich. Tonung und Virage in dokumentarischen Filmen der 1910er und 1920er Jahre. In: Filmblatt, pp. 3–52, on p. 10. (in German)

    Quote

    Goergen, Jeanpaul (2010): Bunte Bilder aus dem Farbenbottich. Tonung und Virage in dokumentarischen Filmen der 1910er und 1920er Jahre. In: Filmblatt, pp. 3–52, on p. 42. (in German)

    Quote

    Cherchi Usai, Paolo (2000): Silent Cinema. London: BFI, pp. 24-27.

    Quote

    Borde, Raymond (1988): Die Filmarchive und der Farbfilm. Eine Einführung. In: Gert Koshofer: Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, pp. 7–10, on p. 8. (in German)

    Quote

    Read, Paul (2009): ‘Unnatural Colours’. An Introduction to Colouring Techniques in Silent Era Movies. In: Film History, 21.1, pp. 9-46, see list of metallic tones on pp. 37-39.

    Quote

    Everett, Wendy (2007): Mapping Colour. An Introduction to the Theories and Practices of Colour. In: Wendy Everett (ed.): Questions of Colour in Cinema. From Paintbrush to Pixel. Oxford: Peter Lang, pp. 7–38, on p. 18.

    Quote

    (Everett, Wendy (2007): Mapping Colour. An Introduction to the Theories and Practices of Colour. In: Wendy Everett (ed.): Questions of Colour in Cinema. From Paintbrush to Pixel. Oxford: Peter Lang, pp. 7–38, on pp. 18–19.)

    Quote

    Aumont, Jacques (1996): Color Ideas From Silent Cinema. In: Monica Dall’Asta, Guglielmo Pescatore and Leonardo Quaresima (eds.): Il colore nel cinema muto. Bologna: Clueb, pp. 110-115, on pp. 113-115. View Quote

    Quote

    Abel, Richard (1996): Pathé’s “Heavenly Billboards”. In: Monica Dall’Asta, Guglielmo Pescatore and Leonardo Quaresima (eds.): Il colore nel cinema muto. Bologna: Clueb, pp. 56–76, on pp. 57–61.

    Quote

    Stokes, Melvyn (2009): Colour in American Cinema. From The Great Train Robbery to Bonnie and Clyde. In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 184–192, on p. 185.

    Quote

    Everett, Wendy (2007): Mapping Colour. An Introduction to the Theories and Practices of Colour. In: Wendy Everett (ed.): Questions of Colour in Cinema. From Paintbrush to Pixel. Oxford: Peter Lang, pp. 7–38, on p. 18.

    Quote

    Maulbecker, Maximilian (1919): Der farbige Film. In: Film-Kurier, 25.7.1919.

    Quote

    Cherchi Usai, Paolo (1996): The Color of Nitrate. Some Factual Observations on Tinting and Toning Manuals for Silent Films. In: Richard Abel (ed.): Silent Film. New Brunswick : Rutgers University Press, pp. 27-30.

    Quote

    Pinel, Vincent (1992): La forêt des techniques. In: Michel Ciment (ed.): Ciné mémoire. Colloque international d’information (7-9 octobre 1991). Paris: Femis, pp. 17-24, on pp. 18-19. (in French)

    Quote

    Borde, Raymond (1988): Die Filmarchive und der Farbfilm. Eine Einführung. In: Gert Koshofer: Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, pp. 7–10, on pp. 7–8. (in German)

    Quote

    Goergen, Jeanpaul (2010): Bunte Bilder aus dem Farbenbottich. Tonung und Virage in dokumentarischen Filmen der 1910er und 1920er Jahre. In: Filmblatt, pp. 3–52, on pp. 3–4. (in German)

    Quote

    Borde, Raymond (1988): Die Filmarchive und der Farbfilm. Eine Einführung. In: Gert Koshofer: Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, pp. 7–10, on p. 7. (in German)

    Quote

    Didiée, L. (1926): Le Film vierge Pathé. Manuel de développement et de tirage. Paris: Pathé, pp. 139-140. (in French)

    Quote

    Abel, Richard (1996): Pathé’s “Heavenly Billboards”. In: Monica Dall’Asta, Guglielmo Pescatore and Leonardo Quaresima (eds.): Il colore nel cinema muto. Bologna: Clueb, pp. 56–76, on pp. 66–67.

    Quote

    Anonymous (1911): Toning and Tinting as an Adjunct to the Picture. In: Moving Picture World, 8, 18.3.1911, p. 574.

    Quote

    Read, Paul (2009): ‘Unnatural Colours’. An Introduction to Colouring Techniques in Silent Era Movies. In: Film History, 21.1, list of tints on pp. 31-37.

    Quote

    Didiée, L. (1926): Le Film vierge Pathé. Manuel de développement et de tirage. Paris: Pathé, pp. 123-128. View Quote