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    322 Results


    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Malombra (1917)
    Image

    Malombra (1917)

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Metal tones on Eastman tinted nitrate base film
    Image

    Metal tones on Eastman tinted nitrate base film

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Dye tones on Eastman nitrate base film
    Image

    Dye tones on Eastman nitrate base film

    • Double tones on Eastman nitrate base film
    Image

    Double tones on Eastman nitrate base film

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Malombra (1917)
    Image

    Malombra (1917)

    • Double tones on Eastman nitrate base film
    Image

    Double tones on Eastman nitrate base film

    • Malombra (1917)
    Image

    Malombra (1917)

    • Malombra (1917)
    Image

    Malombra (1917)

    Quote

    Behlmer, Rudy (1964): Technicolor. In: Films in Review, 15,6, pp. 333–351, on pp. 350–351.

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on p. 201. (in Italian)

    • Malombra (1917)
    Image

    Malombra (1917)

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on p. 6.

    Quote

    Behlmer, Rudy (1964): Technicolor. In: Films in Review, 15,6, pp. 333–351, on p. 351.

    • Double tones on Eastman nitrate base film
    Image

    Double tones on Eastman nitrate base film

    • Grass. A Nation's Battle for Life (USA 1925)
    Image

    Grass. A Nation’s Battle for Life (USA 1925)

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Malombra (1917)
    Image

    Malombra (1917)

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Malombra (1917)
    Image

    Malombra (1917)

    • Malombra (1917)
    Image

    Malombra (1917)

    Quote

    Misek, Richard (2007): “Last of the Kodak”. Andrei Tarkovsky’s Struggle with Colour. In: Everett, Wendy (ed.): Questions of Colour in Cinema. From Paintbrush to Pixel. Oxford: Peter Lang, pp. 161–176, on pp. 165–167.

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on p. 129. (in French)

    Quote

    Keene, G. T.; Clifford, J. D. (1962): Commercial Systems for Making 8mm Prints. In: Journal of the Society of Motion Picture and Television Engineers, 71,6, pp. 447–449.

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on p. 1.