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    327 Results


    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 132–134. (in Italian)

    • Malombra (1917)
    Image

    Malombra (1917)

    • Dye tones on Eastman nitrate base film
    Image

    Dye tones on Eastman nitrate base film

    • Dye tones on Eastman nitrate base film
    Image

    Dye tones on Eastman nitrate base film

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Dye tones on Eastman tinted nitrate base film
    Image

    Dye tones on Eastman tinted nitrate base film

    • Grass. A Nation's Battle for Life (USA 1925)
    Image

    Grass. A Nation’s Battle for Life (USA 1925)

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on p. 201. (in Italian)

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on p. 129. (in Italian)

    • Stages in the preparation of a dye tone
    Image

    Stages in the preparation of a dye tone

    • Metal Tones on Eastman Nitrate Base Film
    Image

    Metal Tones on Eastman Nitrate Base Film

    • Stages in the preparation of a dye tone
    Image

    Stages in the preparation of a dye tone

    Quote

    Behlmer, Rudy (1964): Technicolor. In: Films in Review, 15,6, pp. 333–351, on pp. 348–350.

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, pp. 216–218. (in Italian)

    • Malombra (1917)
    Image

    Malombra (1917)

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Malombra (1917)
    Image

    Malombra (1917)

    Quote

    Behlmer, Rudy (1964): Technicolor. In: Films in Review, 15,6, pp. 333–351, on p. 351.

    • Malombra (1917)
    Image

    Malombra (1917)

    • Grass. A Nation's Battle for Life (USA 1925)
    Image

    Grass. A Nation’s Battle for Life (USA 1925)

    • Dye tones on Eastman nitrate base film
    Image

    Dye tones on Eastman nitrate base film

    • Dye tones on Eastman nitrate base film
    Image

    Dye tones on Eastman nitrate base film

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on p. 7.

    • Dye tones on Eastman nitrate base film
    Image

    Dye tones on Eastman nitrate base film

    Quote

    Kitsopanidou, Kira (2009): “Glorious Technicolor”. La stratégie d’innovation de la couleur de Technicolor dans l’industrie cinématographique Américaine. In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 193–206, on pp. 199–200. (in French)

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on p. 1.

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    Quote

    Hanson, Jr., W. T.; Richey, F. A. (1949): Three-Color Subtractive Photography. In: Journal of the Society of Motion Picture and Television Engineers, 52,2, pp. 119–132, on pp. 120–132.