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    236 Results


    • Metal Tones on Eastman Nitrate Base Film
    Image

    Metal Tones on Eastman Nitrate Base Film

    • Metal Tones on Eastman Nitrate Base Film
    Image

    Metal Tones on Eastman Nitrate Base Film

    • Dye tones on Eastman tinted safety base film
    Image

    Dye tones on Eastman tinted safety base film

    • Metal Tones on Eastman Nitrate Base Film
    Image

    Metal Tones on Eastman Nitrate Base Film

    Quote

    (Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on p. 135. (in Italian)

    • Dye tones on Eastman nitrate base film
    Image

    Dye tones on Eastman nitrate base film

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Dye tones on Eastman nitrate base film
    Image

    Dye tones on Eastman nitrate base film

    • Stages in the preparation of a dye tone
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    Stages in the preparation of a dye tone

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Metal tones on Eastman tinted nitrate base film
    Image

    Metal tones on Eastman tinted nitrate base film

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Metal Tones on Eastman Nitrate Base Film
    Image

    Metal Tones on Eastman Nitrate Base Film

    • Dye tones on Eastman nitrate base film
    Image

    Dye tones on Eastman nitrate base film

    • Dye tones on Eastman nitrate base film
    Image

    Dye tones on Eastman nitrate base film

    • Dye tones on Eastman nitrate base film
    Image

    Dye tones on Eastman nitrate base film

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Metal tones on Eastman tinted nitrate base film
    Image

    Metal tones on Eastman tinted nitrate base film

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinema. Milan: Mazzotta, pp. 126–136, on pp. 128–129. (in French)

    • Eastman Color Process (1953)
    Image

    Eastman Color Process (1953)

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Dye tones on Eastman nitrate base film
    Image

    Dye tones on Eastman nitrate base film

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Dye tones on Eastman nitrate base film
    Image

    Dye tones on Eastman nitrate base film

    Quote

    Misek, Richard (2007): “Last of the Kodak”. Andrei Tarkovsky’s Struggle with Colour. In: Everett, Wendy (ed.): Questions of Colour in Cinema. From Paintbrush to Pixel. Oxford: Peter Lang, pp. 161–176, on p. 163.

    Quote

    Kisner, W. I. (1962): A Higher Speed Color Print Film. In: Journal of the Society of Motion Picture and Television Engineers, 71,10, pp. 779–781.

    Quote

    Kisner, W. I. (1962): A New Color Negative Film for Better Picture Quality. In: Journal of the Society of Motion Picture and Television Engineers, 71,10, pp. 776–779.