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    153 Results


    Quote

    O’Connell, Bill (1979): Fade Out. In: Film Comment, 15,5, pp. 11-18.

    • Dye tones on Eastman tinted safety base film
    Image

    Dye tones on Eastman tinted safety base film

    • Stages in the preparation of a dye tone
    Image

    Stages in the preparation of a dye tone

    • Dye tones on Eastman nitrate base film
    Image

    Dye tones on Eastman nitrate base film

    Quote

    (Hanson, Wesley T., Jr. (1950): Color Correction with Colored Couplers. In: Journal of the Optical Society of America, 40,3, 1950, pp. 166–171, on p. 166.)

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    Quote

    Eggert, John (1932): Kurzer Überblick über den Stand der Farbenkinematographie. In: John Eggert and Arpad von Biehler: Bericht über den VIII. Internationalen Kongress für wissenschaftliche und angewandte Photographie, Dresden 1931, Leipzig: J. A. Barth, pp. 214–222, on pp. 220–221. (in German)

    Quote

    Beyer, Friedemann; Koshofer, Gert; Krüger, Michael (2010): UFA in Farbe. Technik, Politik und Starkult zwischen 1936 und 1945. München: Collection Rolf Heyne, on p. 54. (in German)

    • Eastman Color Process (1953)
    Image

    Eastman Color Process (1953)

    • Metal tones on Eastman tinted nitrate base film
    Image

    Metal tones on Eastman tinted nitrate base film

    • Dye tones on Eastman tinted nitrate base film
    Image

    Dye tones on Eastman tinted nitrate base film

    Quote

    Beyer, Friedemann; Koshofer, Gert; Krüger, Michael (2010): UFA in Farbe. Technik, Politik und Starkult zwischen 1936 und 1945. München: Collection Rolf Heyne, on p. 44. (in German)

    • Dye tones on Eastman tinted nitrate base film
    Image

    Dye tones on Eastman tinted nitrate base film

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    Quote

    Stokes, Melvyn (2009): Colour in American Cinema. From The Great Train Robbery to Bonnie and Clyde. In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 184–192, on p. 187.

    • Double tones on Eastman nitrate base film
    Image

    Double tones on Eastman nitrate base film

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Dye tones on Eastman nitrate base film
    Image

    Dye tones on Eastman nitrate base film

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    Quote

    Bordwell, David; Staiger, Janet; Thompson, Kristin (1985): The Classical Hollywood Cinema. Film Style and Mode of Production to 1960. London: Routledge, on p. 357.

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    Quote

    Beyer, Friedemann; Koshofer, Gert; Krüger, Michael (2010): UFA in Farbe. Technik, Politik und Starkult zwischen 1936 und 1945. München: Collection Rolf Heyne, on p. 46. (in German)

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    Quote

    Bordwell, David; Staiger, Janet; Thompson, Kristin (1985): The Classical Hollywood Cinema. Film Style and Mode of Production to 1960. London: Routledge, on p. 357.

    • Metal tones on Eastman tinted nitrate base film
    Image

    Metal tones on Eastman tinted nitrate base film

    Quote

    Beyer, Friedemann; Koshofer, Gert; Krüger, Michael (2010): UFA in Farbe. Technik, Politik und Starkult zwischen 1936 und 1945. München: Collection Rolf Heyne, on p. 54. (in German)