• Aesthetics (362)
  • Archive (365)
  • Color Order System (7)
  • Color Vision (44)
  • Committees (7)
  • Companies (764)
  • Economics (300)
  • Genre (521)
  • Location (687)
  • Narration (11)
  • Person (427)
  • Restoration (50)
  • Subject (109)
  • Technology (1,008)
  • Time (940)
  • Unidentified (1)
    • Category

    • Filter

    • Show only

    • Reset

    159 Results


    Quote

    Hunt, R.W.G. (1951): Colour Cinematography and the Human Eye. In: British Kinematography, 19,6, pp. 173–180, on pp. 173–175.

    Quote

    Ryan, Roderick T. (1977): A History of Motion Picture Color Technology. London: Focal Press, on p. 151.

    Quote

    Desmet, Noël; Read, Paul (1998): The Desmetcolor Method for Restoring Tinted and Toned Films. In: Luciano Berriatúa, Manlio Brusatin, Noël Desmet, Enrico Fornaroli, Giovanna Fossati, Bertrand Lavedrine, Bob Mabberley, Nicola Mazzanti, Ruggero Pierantoni, Paul Read and Sonja Snoek: Tutti i colori del mondo. Il colore nei mass media tra 1900 e 1930. = All the colours of the world. Reggio Emilia: Edizione Diabasis, pp. 147–150.

    Quote

    Ryan, Roderick T. (1977): A History of Motion Picture Color Technology. London: Focal Press, p. 151.

    Quote

    Pinel, Vincent (1992): La forêt des techniques. In: Michel Ciment (ed.): Ciné mémoire. Colloque international d’information (7-9 octobre 1991). Paris: Femis, pp. 17–24, on p. 22. (in French)

    Quote

    Behlmer, Rudy (1964): Technicolor. In: Films in Review, 15,6, pp. 333–351, on pp. 350–351.

    Quote

    Wright, W.D. (1948): Colour Vision and the Film Industry. In: Journal of British Kinematography, 13,1, Jul., pp. 1–13, on pp. 1–4.

    Quote

    Ryan, Roderick T. (1977): A History of Motion Picture Color Technology. London: Focal Press, p. 151.

    Image

    Dáma na kolejích (1966)

    Quote

    Ruivo, Céline (2013): Le Livre de fabrication de la compagnie générale des phonographes cinématographes et appareils de précision. À propos d’une source pour l’histoire des recherches sur la couleur chez Pathé Frères entre 1906 et 1908. In: 1895. Revue d’Histoire du Cinéma, 71, 2013, pp. 47–60, on pp. 58–60. (in French)

    Image

    Dáma na kolejích (1966)

    Quote

    (Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on p. 135. (in Italian)

    Quote

    Desmet, Noël; Read, Paul (1998): The Desmetcolor Method for Restoring Tinted and Toned Films. In: Luciano Berriatúa, Manlio Brusatin, Noël Desmet, Enrico Fornaroli, Giovanna Fossati, Bertrand Lavedrine, Bob Mabberley, Nicola Mazzanti, Ruggero Pierantoni, Paul Read and Sonja Snoek: Tutti i colori del mondo. Il colore nei mass media tra 1900 e 1930. = All the colours of the world. Reggio Emilia: Edizione Diabasis, pp. 147–150.

    Quote

    Hunt, R.W.G. (1951): Colour Cinematography and the Human Eye. In: British Kinematography, 19,6, pp. 173–180, on pp. 178–180.

    Quote

    Davies, E. R. (1936): The Kodachrome Process of 16 mm. Colour Kinematography. In: The Photographic Journal, 76, pp. 248–253.

    Quote

    Florstedt, J. (1973): Recent Developments in International Colour Cinematography. In: The British Journal of Photography, pp. 340–348, on p. 347.

    Quote

    Misek, Richard (2007): “Last of the Kodak”. Andrei Tarkovsky’s Struggle with Colour. In: Everett, Wendy (ed.): Questions of Colour in Cinema. From Paintbrush to Pixel. Oxford: Peter Lang, pp. 161–176, on pp. 165–167.

    Quote

    Ryan, Roderick T. (1977): A History of Motion Picture Color Technology. London: Focal Press, p. 151.

    Quote

    Keene, G. T.; Clifford, J. D. (1962): Commercial Systems for Making 8mm Prints. In: Journal of the Society of Motion Picture and Television Engineers, 71,6, pp. 447–449.

    Quote

    Kitsopanidou, Kira (2009): “Glorious Technicolor”. La stratégie d’innovation de la couleur de Technicolor dans l’industrie cinématographique Américaine. In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 193–206, on pp. 202–203. (in French)

    Quote

    Keene, G. T.; Clifford, J. D. (1962): Commercial Systems for Making 8mm Prints. In: Journal of the Society of Motion Picture and Television Engineers, 71,6, pp. 447–449.

    Quote

    Behlmer, Rudy (1964): Technicolor. In: Films in Review, 15,6, pp. 333–351, on p. 351.

    Quote

    Kitsopanidou, Kira (2009): “Glorious Technicolor”. La stratégie d’innovation de la couleur de Technicolor dans l’industrie cinématographique Américaine. In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 193–206, on p. 201. (in French)

    • Knowing Men (1930)
    Gallery | (2 images)

    Knowing Men (1930)

    Quote

    Ruivo, Céline (2013): Le Livre de fabrication de la compagnie générale des phonographes cinématographes et appareils de précision. À propos d’une source pour l’histoire des recherches sur la couleur chez Pathé Frères entre 1906 et 1908. In: 1895. Revue d’Histoire du Cinéma, 71, pp. 47–60, on pp. 56–58. (in French)

    Quote

    Layton, James; Pierce, David (2015): The Dawn of Technicolor. Rochester: George Eastman House, on p. 112.

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on p. 201. (in Italian)

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on p. 1.