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    95 Results



    Image

    An American in Paris (1951)


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    Pathé Manual (1926)


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    L’Antre infernal (1905)


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    Moulin Rouge (1952)

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on pp. 1–6.

    Quote

    Grob, Norbert (1991): Farbe im Auge, Ausdruck im Kopf. Hein Heckroths Farbdramaturgien für Powell & Pressburger. In: Katharina Spielhaupter (ed.): Hein Heckroth. Frankfurt/M.: Filmmuseum, pp. 57–78, on pp. 62–64. (in German)


    Image

    Double tones on Eastman nitrate base film


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    Eastman Kodak Manual (1918)


    Image

    Moulin Rouge (1952)

    Quote

    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on pp. 42–44.

    Image

    Pathé Manual (1926)


    Image

    Pathé Manual (1926)


    Image

    Pathé Manual (1926)


    Image

    Pathé Manual (1926)


    Image

    Double tones on Eastman nitrate base film


    Image

    Pathé Manual (1926)


    Image

    L’Antre infernal (1905)


    Image

    Pathé Manual (1926)

    Quote

    Grob, Norbert (1991): Farbe im Auge, Ausdruck im Kopf. Hein Heckroths Farbdramaturgien für Powell & Pressburger. In: Katharina Spielhaupter (ed.): Hein Heckroth. Frankfurt/M.: Filmmuseum, pp. 57–78, on pp. 64–74. (in German)

    Image

    Gentlemen Prefer Blondes (1953)


    Image

    Pathé Manual (1926)


    Image

    Pathé Manual (1926)


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    L’Amour d’esclave (1907)


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    Pathé Manual (1926)


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    L’Amour d’esclave (1907)


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    Le Pied de mouton (1907)


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    Tinting and Toning of Eastman Positive Motion Picture Film (1927)


    Image

    Pathé Manual (1926)