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    81 Results


    Image

    The Black Swan (1942)

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    Pathé Manual (1926)


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    Gentlemen Prefer Blondes (1953)


    Image

    Pathé Manual (1926)


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    Das Cabinet des Dr. Caligari (1919)

    Quote

    O’Brien, Charles (2013): Color as Image Schema. Technicolor Number 3 in King of Jazz. In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 37–46.


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    Stages in the preparation of a dye tone


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    Gentlemen Prefer Blondes (1953)

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    Richard Wagner (1913)

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    Das Cabinet des Dr. Caligari (1919)

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    Das Cabinet des Dr. Caligari (1919)

    Quote

    Petrie, Duncan (2013): Interview. Guy Green. In: Simon Brown, Sarah Street and Liz Watkins (eds.): British Colour Cinema. Practices and Theories. Hampshire: Palgrave Macmillan, pp. 83–87, on pp. 85–87.


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    Gentlemen Prefer Blondes (1953)


    Image

    Gentlemen Prefer Blondes (1953)


    Image

    Gentlemen Prefer Blondes (1953)

    Image

    Das Cabinet des Dr. Caligari (1919)


    Image

    Gentlemen Prefer Blondes (1953)


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    The Godfather 1972


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    Das Cabinet des Dr. Caligari (1919)

    Image

    Gentlemen Prefer Blondes (1953)


    Image

    Gentlemen Prefer Blondes (1953)


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    Gentlemen Prefer Blondes (1953)


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    Pathé Manual (1926)


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    Les Aventures de Robinson Crusoe (1902)


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    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

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    Gaumont Woche

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 231–242. (in Italian)

    Quote

    Herring, Robert (1935): Technicolossal. In: Life and Letters Today, 13, Sep., pp. 194–196, on pp. 195–196.


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    Gentlemen Prefer Blondes (1953)

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    Dagli Appenini alle Ande (1916)