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    235 Results


    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, pp. 1–6.

    Image

    Gentlemen Prefer Blondes (1953)


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    La Vestale (1908)

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    The Black Swan (1942)


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    Pathé Manual (1926)

    Quote

    Mamoulian, Rouben (1960): Color and Light in Films. The Esthetics of Colour. In: Film Culture, 21, pp. 68–79, on p. 79.

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on pp. 1–6.


    Image

    Gentlemen Prefer Blondes (1953)


    Image

    Gentlemen Prefer Blondes (1953)

    Quote

    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on pp. 13–15.

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 160–161. (in Italian)


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    Agfa Kine-Handbuch [1925]


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    The Thief of Bagdad (1940)

    Quote

    Mamoulian, Rouben (1960): Color and Light in Films. The Esthetics of Colour. In: Film Culture, 21, pp. 68–79, on p. 76.


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    Rund um die Welt in 2 Stunden


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    Pathé Manual (1926)


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    Gente della laguna (1954)

    Quote

    Grob, Norbert (1991): Farbe im Auge, Ausdruck im Kopf. Hein Heckroths Farbdramaturgien für Powell & Pressburger. In: Katharina Spielhaupter (ed.): Hein Heckroth. Frankfurt/M.: Filmmuseum, pp. 57–78, on p. 63. (in German)

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on p. 11.

    Quote

    Behlmer, Rudy (1964): Technicolor. In: Films in Review, 15,6, pp. 333–351, on pp. 343–348.

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    Wright, W.D. (1948): Colour Vision and the Film Industry. In: Journal of British Kinematography, 13,1, Jul., pp. 1–13, on pp. 1–4.

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    Desmet, Noël; Read, Paul (1998): The Desmetcolor Method for Restoring Tinted and Toned Films. In: Luciano Berriatúa, Manlio Brusatin, Noël Desmet, Enrico Fornaroli, Giovanna Fossati, Bertrand Lavedrine, Bob Mabberley, Nicola Mazzanti, Ruggero Pierantoni, Paul Read and Sonja Snoek: Tutti i colori del mondo. Il colore nei mass media tra 1900 e 1930. = All the colours of the world. Reggio Emilia: Edizione Diabasis, pp. 147–150.


    Image

    Gentlemen Prefer Blondes (1953)


    Image

    La Vestale (1908)

    Quote

    Ruivo, Céline (2013): Le Livre de fabrication de la compagnie générale des phonographes cinématographes et appareils de précision. À propos d’une source pour l’histoire des recherches sur la couleur chez Pathé Frères entre 1906 et 1908. In: 1895. Revue d’Histoire du Cinema, 71, 2013, pp. 47–60, on pp. 58–60. (in French)


    Image

    La Vestale (1908)


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    Agfa Kine-Handbuch [1925]

    Quote

    Wright, W.D. (1948): Colour Vision and the Film Industry. In: Journal of British Kinematography, 13,1, Jul., pp. 1–13, on pp. 4–5.

    Quote

    Grob, Norbert (1991): Farbe im Auge, Ausdruck im Kopf. Hein Heckroths Farbdramaturgien für Powell & Pressburger. In: Katharina Spielhaupter (ed.): Hein Heckroth. Frankfurt/M.: Filmmuseum, pp. 57–78, on pp. 62–64. (in German)

    Quote

    O’Brien, Charles (2013): Color as Image Schema. Technicolor Number 3 in King of Jazz. In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 37–46.