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    188 Results


    Quote

    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on p. 47.

    • Pathé Manual (1926)
    Image

    Pathé Manual (1926)

    • Gentlemen Prefer Blondes (1953)
    Image

    Gentlemen Prefer Blondes (1953)

    • Rund um die Welt in 2 Stunden
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    Rund um die Welt in 2 Stunden

    Quote

    Grob, Norbert (1991): Farbe im Auge, Ausdruck im Kopf. Hein Heckroths Farbdramaturgien für Powell & Pressburger. In: Katharina Spielhaupter (ed.): Hein Heckroth. Frankfurt/M.: Filmmuseum, pp. 57–78, on pp. 64–70. (in German)

    Quote

    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on pp. 15–19.

     

    • Gentlemen Prefer Blondes (1953)
    Image

    Gentlemen Prefer Blondes (1953)

    Quote

    Chion, Michel (1995): Colorisations. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 63–69, on pp. 65–67. (in French)

    • La Vestale (1908)
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    La Vestale (1908)

    Quote

    Layton, James; Pierce, David (2015): The Dawn of Technicolor. Rochester: George Eastman House, on p. 123.

    • L'Antre infernal (1905)
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    L’Antre infernal (1905)

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 131–133. (in French)

    • Gentlemen Prefer Blondes (1953)
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    Gentlemen Prefer Blondes (1953)

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on pp. 12–13.

    • La Vestale (1908)
    Image

    La Vestale (1908)

    Quote

    Grob, Norbert (1991): Farbe im Auge, Ausdruck im Kopf. Hein Heckroths Farbdramaturgien für Powell & Pressburger. In: Katharina Spielhaupter (ed.): Hein Heckroth. Frankfurt/M.: Filmmuseum, pp. 57–78, on pp. 58–60. (in German)

    • Gentlemen Prefer Blondes (1953)
    Image

    Gentlemen Prefer Blondes (1953)

    Quote

    Desmet, Noël; Read, Paul (1998): The Desmetcolor Method for Restoring Tinted and Toned Films. In: Luciano Berriatúa, Manlio Brusatin, Noël Desmet, Enrico Fornaroli, Giovanna Fossati, Bertrand Lavedrine, Bob Mabberley, Nicola Mazzanti, Ruggero Pierantoni, Paul Read and Sonja Snoek: Tutti i colori del mondo. Il colore nei mass media tra 1900 e 1930. = All the colours of the world. Reggio Emilia: Edizione Diabasis, pp. 147–150.

    • Pathé Manual (1926)
    Image

    Pathé Manual (1926)

    Quote

    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on pp. 13–15.

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 79–82. (in Italian)

    Quote

    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on p. 42.

    Quote

    Jacobs, Lewis (1970): The Mobility of Color. In: Lewis Jacobs (ed.): The Movies as Medium. New York: Farrar, Straus and Giroux, pp. 189–196, on pp. 189–192.

    • Agfa Kine-Handbuch [1925]
    Image

    Agfa Kine-Handbuch [1925]

    • Gentlemen Prefer Blondes (1953)
    Image

    Gentlemen Prefer Blondes (1953)

    Quote

    Hanson, Jr., W. T.; Richey, F. A. (1949): Three-Color Subtractive Photography. In: Journal of the Society of Motion Picture and Television Engineers, 52,2, pp. 119–132, on pp. 120–132.

    • Gentlemen Prefer Blondes (1953)
    Image

    Gentlemen Prefer Blondes (1953)

    • Gentlemen Prefer Blondes (1953)
    Image

    Gentlemen Prefer Blondes (1953)

    • Agfa Kine-Handbuch [1925]
    Image

    Agfa Kine-Handbuch [1925]