• Aesthetics (348)
  • Archive (361)
  • Color Order System (7)
  • Color Vision (32)
  • Committees (4)
  • Companies (746)
  • Economics (282)
  • Genre (514)
  • Location (667)
  • Narration (11)
  • Person (405)
  • Restoration (48)
  • Subject (109)
  • Technology (971)
  • Time (911)
  • Unidentified (1)
    • Category

    • Filter

    • Show only

    • Reset

    175 Results


    Quote

    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on pp. 49–50.

    • Pathé Manual (1926)
    Image

    Pathé Manual (1926)

    Quote

    Grob, Norbert (1991): Farbe im Auge, Ausdruck im Kopf. Hein Heckroths Farbdramaturgien für Powell & Pressburger. In: Katharina Spielhaupter (ed.): Hein Heckroth. Frankfurt/M.: Filmmuseum, pp. 57–78, on pp. 60–61. (in German)

    • Pathé Manual (1926)
    Image

    Pathé Manual (1926)

    • La Vestale (1908)
    Image

    La Vestale (1908)

    • Pathé Manual (1926)
    Image

    Pathé Manual (1926)

    • Le Ballon rouge (1956)
    Image

    Le Ballon rouge (1956)

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 79–82. (in Italian)

    • Pathé Manual (1926)
    Image

    Pathé Manual (1926)

    • Gentlemen Prefer Blondes (1953)
    Image

    Gentlemen Prefer Blondes (1953)

    • La Vestale (1908)
    Image

    La Vestale (1908)

    • Gentlemen Prefer Blondes (1953)
    Image

    Gentlemen Prefer Blondes (1953)

    Quote

    Layton, James; Pierce, David (2015): The Dawn of Technicolor. Rochester: George Eastman House, on p. 123.

    • Gentlemen Prefer Blondes (1953)
    Image

    Gentlemen Prefer Blondes (1953)

    Quote

    Grob, Norbert (1991): Farbe im Auge, Ausdruck im Kopf. Hein Heckroths Farbdramaturgien für Powell & Pressburger. In: Katharina Spielhaupter (ed.): Hein Heckroth. Frankfurt/M.: Filmmuseum, pp. 57–78, on pp. 62–64. (in German)

    • L'Antre infernal (1905)
    Image

    L’Antre infernal (1905)

    • Gentlemen Prefer Blondes (1953)
    Image

    Gentlemen Prefer Blondes (1953)

    Quote

    Ruivo, Céline (2013): Le Livre de fabrication de la compagnie générale des phonographes cinématographes et appareils de précision. À propos d’une source pour l’histoire des recherches sur la couleur chez Pathé Frères entre 1906 et 1908. In: 1895. Revue d’Histoire du Cinéma, 71, pp. 47–60, on pp. 54–56. (in French)

    Quote

    Ruivo, Céline (2013): Le Livre de fabrication de la compagnie générale des phonographes cinématographes et appareils de précision. À propos d’une source pour l’histoire des recherches sur la couleur chez Pathé Frères entre 1906 et 1908. In: 1895. Revue d’Histoire du Cinéma, 71, pp. 47–60, on pp. 51–53. (in French)

    • La Vestale (1908)
    Image

    La Vestale (1908)

    • Pathé Manual (1926)
    Image

    Pathé Manual (1926)

    • Gentlemen Prefer Blondes (1953)
    Image

    Gentlemen Prefer Blondes (1953)

    Image

    Pathé Manual (1926)

    • Agfa Kine-Handbuch [1925]
    Image

    Agfa Kine-Handbuch [1925]

    Quote

    Eggert, John; Heymer, Gerd (1937): Der Stand der Farbenphotographie. In: Veröffentlichungen des wissenschaftlichen Zentral-Laboratoriums der photographischen Abteilung Agfa, pp. 7–28, on pp. 20–21. (in German)

    Quote

    Grob, Norbert (1991): Farbe im Auge, Ausdruck im Kopf. Hein Heckroths Farbdramaturgien für Powell & Pressburger. In: Katharina Spielhaupter (ed.): Hein Heckroth. Frankfurt/M.: Filmmuseum, pp. 57–78, on pp. 64–70. (in German)

    • Agfa Kine-Handbuch [1925]
    Image

    Agfa Kine-Handbuch [1925]

    • Tinting and Toning of Eastman Positive Motion Picture Film (1927)
    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)