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    110 Results


    Quote

    Grob, Norbert (1991): Farbe im Auge, Ausdruck im Kopf. Hein Heckroths Farbdramaturgien für Powell & Pressburger. In: Katharina Spielhaupter (ed.): Hein Heckroth. Frankfurt/M.: Filmmuseum, pp. 57–78, on pp. 62–63. (in German)

    • Pathé Manual (1926)
    Image

    Pathé Manual (1926)

    • Venus of the South Seas (1924)
    Image

    Venus of the South Seas (1924)

    • Pathé Manual (1926)
    Image

    Pathé Manual (1926)

    • Double tones on Eastman nitrate base film
    Image

    Double tones on Eastman nitrate base film

    Quote

    Hunt, R.W.G. (1951): Colour Cinematography and the Human Eye. In: British Kinematography, 19,6, pp. 173–180, on pp. 176–178.

    Quote

    Ruivo, Céline (2013): Le Livre de fabrication de la compagnie générale des phonographes cinématographes et appareils de précision. À propos d’une source pour l’histoire des recherches sur la couleur chez Pathé Frères entre 1906 et 1908. In: 1895. Revue d’Histoire du Cinéma, 71, pp. 47–60, on pp. 51–53. (in French)

    • Eastman Kodak Manual (1918)
    Image

    Eastman Kodak Manual (1918)

    Quote

    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on pp. 46–47.

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 131–133. (in French)

    • Pathé Manual (1926)
    Image

    Pathé Manual (1926)

    Quote

    Hanson, Jr., W. T.; Richey, F. A. (1949): Three-Color Subtractive Photography. In: Journal of the Society of Motion Picture and Television Engineers, 52,2, pp. 119–132, on pp. 120–132.

    • The Wizard of Oz (1939)
    Image

    The Wizard of Oz (1939)

    • Pathé Manual (1926)
    Image

    Pathé Manual (1926)

    • Venus of the South Seas (1924)
    Image

    Venus of the South Seas (1924)

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 131–133. (in French)

    Image

    Pathé Manual (1926)

    • Pathé Manual (1926)
    Image

    Pathé Manual (1926)

    • The Wizard of Oz (1939)
    Image

    The Wizard of Oz (1939)

    • Pathé Manual (1926)
    Image

    Pathé Manual (1926)

    • The Wizard of Oz (1939)
    Image

    The Wizard of Oz (1939)

    • Pathé Manual (1926)
    Image

    Pathé Manual (1926)

    • The Wizard of Oz (1939)
    Image

    The Wizard of Oz (1939)

    • Der Märchenwald, ein Schattenspiel (1919)
    Image

    Der Märchenwald, ein Schattenspiel (1919)

    • Richard Wagner (1913)
    Image

    Richard Wagner (1913)

    • Metal Tones on Eastman Nitrate Base Film
    Image

    Metal Tones on Eastman Nitrate Base Film

    • Pathé Manual (1926)
    Image

    Pathé Manual (1926)

    Quote

    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on p. 47.

    • The Wizard of Oz (1939)
    Image

    The Wizard of Oz (1939)

    • Richard Wagner (1913)
    Image

    Richard Wagner (1913)