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    130 Results


    Image

    Pathé Manual (1926)


    Image

    The Last Emperor (1987)

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 131–133. (in French)

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 131–133. (in French)


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    Venus of the South Seas (1924)

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, pp. 1–6.


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    The Wizard of Oz (1939)

    Quote

    Chion, Michel (1995): Colorisations. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 63–69, on pp. 65–67. (in French)


    Image

    Pathé Manual (1926)


    Image

    The Wizard of Oz (1939)


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    Dye tones on Eastman nitrate base film


    Image

    Pathé Manual (1926)


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    Malombra (1917)


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    Metal Tones on Eastman Nitrate Base Film

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 43–47. (in Italian)

    Quote

    Spehr, Paul C. (1979): Fading, Fading, Faded. The Colour Film in Crisis. In: American Film, Nov., pp. 56–61.


    Image

    Metal Tones on Eastman Nitrate Base Film


    Image

    Pathé Manual (1926)


    Image

    Pathé Manual (1926)

    Quote

    Hunt, R.W.G. (1951): Colour Cinematography and the Human Eye. In: British Kinematography, 19,6, pp. 173–180, on pp. 176–178.

    Quote

    Keating, Patrick (2010): Hollywood Lighting from the Silent Era to Film Noir. Columbia University Press: New York, on pp. 201–205.

    Quote

    André, Emanuelle (1995): La couleur douloureuse. Max Ophuls. Lola Montès. In: Jacques Aumont (ed.): La Couleur en cinéma. Mailand: Mazzotta, pp. 120–122. (in French)

    Quote

    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on pp. 46–47.


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    Tinting and Toning of Eastman Positive Motion Picture Film (1927)


    Image

    Dye tones on Eastman nitrate base film

    Quote

    Misek, Richard (2010): Chromatic Cinema. A History of Screen Color. Chichester: John Wiley & Sons, on pp. 142–143.


    Image

    The Wizard of Oz (1939)


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    An American in Paris (1951)

    Quote

    Ruivo, Céline (2013): Le Livre de fabrication de la compagnie générale des phonographes cinématographes et appareils de précision. À propos d’une source pour l’histoire des recherches sur la couleur chez Pathé Frères entre 1906 et 1908. In: 1895. Revue d’Histoire du Cinéma, 71, pp. 47–60, on pp. 51–53. (in French)


    Image

    Pathé Manual (1926)