Color Perception and Cinematography
Original Technical Papers and Primary Sources
MacAdam, David L. (1938): Subtractive Color Mixture and Color Reproduction. In: The Journal of the Optical Society of America, 28, pp. 466–480, on pp. 466–467 and on p. 480. View Quote
Bibliography
Arbus, Pierre (2009): Les couleurs de la guerre. In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 73–92. (in French) View Quote
Cauda, Ernesto (1938): Il cinema a colori. Quaderno mensile. Roma: Bianco e nero, anno II, nr. 11, on pp. 7–9 View Quote and on pp. 9–10. (in Italian) View Quote
Chion, Michel (1995): Colorisations. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 63–69, on pp. 63–65 View Quote and on pp. 65–67. (in French) View Quote
Conrad-Alberti, Victor (1933): Die technischen und künstlerischen Voraussetzungen für die Herstellung farbiger Kulturfilme. In: Film-Kurier, 112, 13.5.1933. (in German) View Quote
Eggert, John; Heymer, Gerd (1937): Der Stand der Farbenphotographie. In: Veröffentlichungen des wissenschaftlichen Zentral-Laboratoriums der photographischen Abteilung Agfa, pp. 7–28, on pp. 7–10. (in German) View Quote
Elliott, Eric (1934): Wither colour? In: Cinema Quarterly, 2,3, Spring, pp. 161–165. View Quote
Evans, Ralph Merrill (1943): Visual Process and Color Cinematography. In: Journal of the Optical Society of America, 33,11, 1943, pp. 579-614. View Quote
Evans, Ralph Merrill (1951): Psychological Aspects of Color and Illumination. In: Illumination Engineering. 46,4, pp. 176–181.
Frieser, Helmut; Reuther, Rudolf (1943): Farbumstimmung und Farbenphotographie. In: Film und Farbe. Vorträge auf der gemeinsamen Jahrestagung “Film und Farbe” in Dresden v. 1.–3. Okt. 1942, Berlin: Max Hesse, pp. 109–112. (in German) View Quote
Grob, Norbert (1991): Farbe im Auge, Ausdruck im Kopf. Hein Heckroths Farbdramaturgien für Powell & Pressburger. In: Katharina Spielhaupter (ed.): Hein Heckroth. Frankfurt/M.: Filmmuseum, pp. 57–78, on p. 60 View Quote and on pp. 60–61. (in German) View Quote
Hanson, Jr., W. T.; Richey, F. A. (1949): Three-Color Subtractive Photography. In: Journal of the Society of Motion Picture and Television Engineers, 52,2, pp. 119–132, on pp. 120–132. View Quote
Hellmig, E. (1958): Versuche über das Farberinnerungsvermögen (Wiedererkennen des Farbtones an Farben hoher Sättigung). In: Mitteilungen aus den Forschungslaboratorien der Agfa Leverkusen-München. Band 2. Berlin, Göttingen, Heidelberg: Springer-Verlag, pp. 303–326, on pp. 303–307. (in German) View Quote
Higgins, Scott (2007): Harnessing the Technicolor Rainbow. Color Design in the 1930s. Austin: University of Texas Press, on pp. 13–17. View Quote
Hunt, R.W.G. (1951): Colour Cinematography and the Human Eye. In: British Kinematography, 19,6, pp. 173–180, on pp. 173–175 View Quote, on p. 175 View Quote, on pp. 176–178. View Quote and on pp. 178–180. View Quote
Johnson, George Lindsay (1916): Photography in Colours. London: Routledge.
Lye, Len (1935): Colour and the box-office. In: Life and Letters Today, 13, Sept. 1935, pp. 197–198. View Quote
MacAdam, David L. (1938): Photographic Aspects of the Theory of Three-Color Reproduction. In: The Journal of the Optical Society of America, 28,11, Nov., pp. 399–418. View Quote
MacAdam, David L. (1938): Subtractive Color Mixture and Color Reproduction. In: The Journal of the Optical Society of America. 28, pp. 466–480.
Narath, Albert (1952): Psychologische Probleme bei der Wiedergabe von Farbfilmen. In: Kino-Technik, 6, pp. 131–132. View Quote
Troland, Leonard T. (1927): Some Psychological Aspects of Natural Color Motion Pictures. In: Transactions of the Society of Motion Picture Engineers, 11, 26.9.1927, pp. 680–698. Download PDF
Wright, W.D. (1948): Colour Vision and the Film Industry. In: Journal of British Kinematography, 13,1, Jul., pp. 1–13, on pp. 1–4 View Quote, on pp. 4–5 View Quote, on pp. 5–7 View Quote, on pp. 7–8 View Quote, on pp. 8–10 View Quote, on pp. 10–11 View Quote, on pp. 11–12 View Quote and on pp. 12–13. View Quote
Yumibe, Joshua (2013): L’espace de la couleur comme espace de jeu dans la littérature enfantine, le cinéma des premiers temps et les fééries. In: 1895. Revue d’Histoire du Cinéma, 71, pp. 33–46, on pp. 37–46. (in French) View Quote
