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Szczepanik

Description

“The process of J. Szczepanik in 1925 was impracticable. He used a non-intermittent camera having a chain of eighteen lenses moving together with the film behind a collimating lens, three pictures being simultaneously exposed.”

(Klein, Adrian Bernhard = Cornwell-Clyne (1940): Colour Cinematography. Boston: American Photographic Pub. Co., 2nd revised edition, p. 159.)

Original Technical Papers and Primary Sources

Szczepanik, Jan (1924): Kinematographie in natürlichen Farben (II). In: Die Kinotechnik, 6,17, pp. 293-297 View Quote and 6,18, pp. 322-329 View Quote. (in German)

Secondary Sources

Alt, Dirk (2011): “Der Farbfilm marschiert!” Frühe Farbfilmverfahren und NS-Propaganda 1933-1945. München: Belleville, on pp. 46–47. (in German) View Quote

Coe, Brian (1981): The History of Movie Photography. Westfield, N.J.: Eastview Editions, p. 123. View Quote

Klein, Adrian Bernhard = Cornwell-Clyne (1940): Colour Cinematography. Boston: American Photographic Pub. Co., 2nd revised edition, p. 159. View Quote