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    101 Results



    Image

    Written on the Wind (1956)


    Image

    Written on the Wind (1956)


    Image

    Written on the Wind (1956)

    Gallery | (23 images)

    La perception et l’imaginaire (1964)

    Quote

    Watkins, Liz (2013): Interview. Paolo Cherchi Usai. In: Simon Brown, Sarah Street and Liz Watkins (eds.): British Colour Cinema. Practices and Theories. Hampshire: Palgrave Macmillan, pp. 208–218, on pp. 215–218.


    Image

    Written on the Wind (1956)


    Image

    Written on the Wind (1956)


    Image

    Written on the Wind (1956)


    Image

    Written on the Wind (1956)

    Gallery | (17 images)

    Phobie d’impulsion (1967)

    Gallery | (58 images)

    [Unfallschutz-Zeichentrickfilm]


    Image

    Written on the Wind (1956)

    Quote

    Coote, Jack H. (1993): The Illustrated History of Colour Photography. Surbiton, Surrey: Fountain Press, on pp. 157–163.

    Gallery | (42 images)

    [Pfingsten 1981] (1981)


    Image

    Written on the Wind (1956)

    Quote

    Watkins, Liz (2013): Interview. Paolo Cherchi Usai. In: Simon Brown, Sarah Street and Liz Watkins (eds.): British Colour Cinema. Practices and Theories. Hampshire: Palgrave Macmillan, pp. 208–218, on pp. 215–218.


    Image

    Written on the Wind (1956)


    Image

    Written on the Wind (1956)

    Gallery | (16 images)

    [Berlin Nikolaiviertel] (1986)

    Quote

    Coote, Jack H. (1993): The Illustrated History of Colour Photography. Surbiton, Surrey: Fountain Press, on pp. 152–153.


    Image

    Written on the Wind (1956)

    Quote

    Watkins, Liz (2013): Interview. Paolo Cherchi Usai. In: Simon Brown, Sarah Street and Liz Watkins (eds.): British Colour Cinema. Practices and Theories. Hampshire: Palgrave Macmillan, pp. 208–218, on pp. 215–218.

    Quote

    Read, Paul (1998): Tinting and Toning Techniques and their Adaption for the Restoration of Archive Film. In: Luciano Berriatúa et al. (eds.): Tutti i colori del mondo. Il colore nei mass media tra 1900 e 1930. = All the colours of the world. Reggio Emilia: Diabasis, pp. 157‒167, on pp. 160–161.

    Quote

    Read, Paul (1998): Tinting and Toning Techniques and their Adaption for the Restoration of Archive Film. In: Luciano Berriatúa et al. (eds.): Tutti i colori del mondo. Il colore nei mass media tra 1900 e 1930. = All the colours of the world. Reggio Emilia: Diabasis, pp. 157‒167, on pp. 160–161.

    Quote

    Ray, Reid H. (1949): Use of 35mm Ansco Color Film for 16mm Color Release Prints. In: Journal of the Society of Motion Picture Engineers, 53,8, 1949, pp. 143–148, on pp. 144–148.

    Quote

    Layton, James; Pierce, David (2015): The Dawn of Technicolor. Rochester: George Eastman House, on p. 59.

    Quote

    Ray, Reid H. (1949): Use of 35mm Ansco Color Film for 16mm Color Release Prints. In: Journal of the Society of Motion Picture Engineers, 53,8, 1949, pp. 143–148, on p. 144.

    Quote

    Pierotti, Federico (2016): Un’archeologia del colore nel cinema italiano. Dal Technicolor ad Antonioni. Pisa: Edizioni ETS, on p. 164. (in Italian)