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    96 Results



    Image

    Written on the Wind (1956)

    Gallery | (23 images)

    La perception et l’imaginaire (1964)


    Image

    Written on the Wind (1956)


    Image

    Written on the Wind (1956)


    Image

    Written on the Wind (1956)

    Gallery | (16 images)

    [Berlin Nikolaiviertel] (1986)


    Image

    Written on the Wind (1956)


    Image

    Written on the Wind (1956)

    Gallery | (42 images)

    [Pfingsten 1981] (1981)


    Image

    Written on the Wind (1956)


    Image

    Written on the Wind (1956)


    Image

    Written on the Wind (1956)

    Gallery | (58 images)

    [Unfallschutz-Zeichentrickfilm]


    Image

    Written on the Wind (1956)


    Image

    Written on the Wind (1956)

    Gallery | (17 images)

    Phobie d’impulsion (1967)


    Image

    Written on the Wind (1956)

    Quote

    Read, Paul (1998): Tinting and Toning Techniques and their Adaption for the Restoration of Archive Film. In: Luciano Berriatúa et al. (eds.): Tutti i colori del mondo. Il colore nei mass media tra 1900 e 1930. = All the colours of the world. Reggio Emilia: Diabasis, pp. 157‒167, on pp. 160–161.

    Quote

    Read, Paul (1998): Tinting and Toning Techniques and their Adaption for the Restoration of Archive Film. In: Luciano Berriatúa et al. (eds.): Tutti i colori del mondo. Il colore nei mass media tra 1900 e 1930. = All the colours of the world. Reggio Emilia: Diabasis, pp. 157‒167, on pp. 160–161.

    Quote

    Ray, Reid H. (1949): Use of 35mm Ansco Color Film for 16mm Color Release Prints. In: Journal of the Society of Motion Picture Engineers, 53,8, 1949, pp. 143–148, on pp. 144–148.

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    Layton, James; Pierce, David (2015): The Dawn of Technicolor. Rochester: George Eastman House, on p. 59.

    Quote

    Ray, Reid H. (1949): Use of 35mm Ansco Color Film for 16mm Color Release Prints. In: Journal of the Society of Motion Picture Engineers, 53,8, 1949, pp. 143–148, on p. 144.

    Quote

    Pierotti, Federico (2016): Un’archeologia del colore nel cinema italiano. Dal Technicolor ad Antonioni. Pisa: Edizioni ETS, on p. 164. (in Italian)

    Quote

    Huntley, John (1949): British Technicolor Films. Cornhill, London: Skelton Robinson, on pp. 199–201.

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    Beckett, Clark; Morris, Robert A.; Schafer, Richard K.; Seemann, J. Marvin (1968): Preparation of Duplicate Negatives Using Eastman Color Reversal Intermediate Film. In: Journal of the Society of Motion Picture and Television Engineers, 77,10, pp. 1053–1056.

    Quote

    Wyckoff, A. (1941): Gasparcolor Comes to Hollywood. In: American Cinematographer, 22,11, Nov., pp. 510–511.

    Quote

    Wyckoff, A. (1941): Gasparcolor Comes to Hollywood. In: American Cinematographer, 22,11, Nov., pp. 510–511.

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 131–133. (in French)