• Aesthetics (493)
  • Archive (620)
  • Color Order System (7)
  • Color Vision (54)
  • Committees (7)
  • Companies (991)
  • Economics (350)
  • Genre (764)
  • Location (956)
  • Narration (21)
  • Person (704)
  • Restoration (73)
  • Subject (168)
  • Technology (1,249)
  • Time (1,282)
  • Unidentified (1)
    • Category

    • Filter

    • Show only

    • Reset

    25 Results

    Image

    Gentlemen Prefer Blondes (1953)

    Image

    Gentlemen Prefer Blondes (1953)


    Image

    Gentlemen Prefer Blondes (1953)


    Image

    Gentlemen Prefer Blondes (1953)

    Image

    Gentlemen Prefer Blondes (1953)


    Image

    The Godfather 1972


    Image

    Grosse Freiheit Nr. 7 (1944)


    Image

    The Godfather 1972

    Image

    Gentlemen Prefer Blondes (1953)

    Image

    The Four Feathers (1939)


    Image

    North by Northwest (1959)

    Image

    Grosse Freiheit Nr. 7 (1944)


    Image

    North by Northwest (1959)

    Image

    Salomé (1922)


    Image

    A Star Is Born (1937)

    Image

    Gentlemen Prefer Blondes (1953)

    Image

    Salomé (1922)


    Image

    Grosse Freiheit Nr. 7 (1944)

    Image

    Gentlemen Prefer Blondes (1953)

    Image

    Gentlemen Prefer Blondes (USA 1953)


    Image

    North by Northwest (1959)


    Image

    A Star Is Born (1954)

    Image

    Gentlemen Prefer Blondes (1953)

    Quote

    Rother, Rainer (1992): Suggestion der Farben. Die Doppelproduktion Immensee und Opfergang. In: Hans-Michael Bock and Michael Töteberg (eds.): Das Ufa-Buch. Kunst und Krisen, Stars und Regisseure, Wirtschaft und Politik. Die internationale Geschichte von Deutschlands grösstem Film-Konzern. Frankfurt a.M.: Zweitausendeins, pp. 452–455, on pp. 454–455. (in German)

    Quote

    Pierotti, Federico (2016): Un’archeologia del colore nel cinema italiano. Dal Technicolor ad Antonioni. Pisa: Edizioni ETS, on pp. 197–200. (in Italian)