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    21 Results

    Color Perception and Cinematography

    Theory

    Ferrania color / Ferraniacolor / 3M color

    Subtractive 3 color: Chromogenic monopack

    Ansco Color negative / positive process

    Subtractive 3 color: Chromogenic monopack, negative / positive

    Eastman Color

    Subtractive 3 color: Chromogenic monopack

    Technicolor No. IV: Three-strip

    Subtractive 3 color: Color separation, beam-splitter, dye transfer

    Agfacolor Screen Plate

    Additive 3 color: Mosaic screen, still photography

    Toning / metallic toning (French: virage, German: Tonung)

    Applied colors: Replacement of silver

    Dufaycolor

    Additive 3 color: Line screen (réseau), 35 mm and 16 mm, reversal and negative-positive stock

    Technicolor No. II

    Subtractive 2 color: 2 toned films cemented

    Agfa bipack films

    Subtractive 2 color: Bi-pack

    Finlay

    Additive 3 color: Regular mosaic screen, still photography

    Eastman Color Negative, type 5254 / 7254

    Subtractive 3 color: Chromogenic monopack, Tungsten, 100 ASA

    Eastman Color Reversal Intermedeate Film 5249 / 7249

    Subtractive 3 color: Chromogenic monopack, reversal

    Kodacolor / Keller-Dorian Color

    Additive 3 color: Lenticular screen

    Keller-Dorian

    Additive 3 color: Lenticular screen

    Francita-Reality / Francita / Opticolor / Realita

    Additive 3 color: Beam-splitter and rotary fllter, substandard

    Pathecolor / Pathéchrome / stencil coloring

    Applied colors: Stencil, dyed gelatin

    Bocca-Rudatis

    Additive 3 color: lenticular screen

    Ufacolor

    Subtractive 2 color: Bi-pack, mordant toning

    Gualtierotti or Cicona e Gualtierotti

    Additive two-color: optical system, filters, 64mm negative.

    Sistema Cristiani-Mascarini

    Additive four-color: beam splitter and filters, four images on 35mm black and white film.