• Aesthetics (592)
  • Archive (633)
  • Color Order System (7)
  • Color Vision (59)
  • Committees (7)
  • Companies (1,056)
  • Economics (374)
  • Genre (790)
  • Location (1,020)
  • Narration (27)
  • Person (782)
  • Restoration (95)
  • Subject (190)
  • Technology (1,336)
  • theatre (1)
  • Time (1,354)
  • Unidentified (1)
    • Category

    • Filter

    • Show only

    • Reset

    10 Results

    Gallery | (17 images)

    Mystic India (1944)

    Quote

    Street, Sarah; Watkins, Liz (2013): Interview. Christopher Challis. In: Simon Brown, Sarah Street and Liz Watkins (eds.): British Colour Cinema. Practices and Theories. Hampshire: Palgrave Macmillan, pp. 10–30.


    Image

    Black Narcissus (1947)

    Gallery | (12 images)

    Mysore Yesterday and Tomorrow

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 131–132. (in French)

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 131–133. (in French)

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 131–133. (in French)

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 131–133. (in French)

    Quote

    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on pp. 15–19.

     

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 121–122. (in Italian)