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    43 Results


    Gallery | (9 images)

    Moulin Rouge (1952)

    Gallery | (29 images)

    Didone abbandonata (1910)

    Quote

    Rother, Rainer (1992): Suggestion der Farben. Die Doppelproduktion Immensee und Opfergang. In: Hans-Michael Bock and Michael Töteberg (eds.): Das Ufa-Buch. Kunst und Krisen, Stars und Regisseure, Wirtschaft und Politik. Die internationale Geschichte von Deutschlands grösstem Film-Konzern. Frankfurt a.M.: Zweitausendeins, pp. 452–455, on pp. 454–455. (in German)

    Gallery | (14 images)

    The Quiet Man (1952)

    Gallery | (26 images)

    A Star Is Born (1937)

    Gallery | (94 images)

    Marcantonio e Cleopatra (1913)

    Gallery | (23 images)

    Unidentified melodrama (1928)

    Gallery | (20 images)

    Hell’s Angels (1930)

    Gallery | (52 images)

    Blanche Fury (1948)

    Gallery | (3 images)

    Opfergang (1944)

    Gallery | (64 images)

    Black Narcissus (1947)

    Gallery | (32 images)

    The Red Shoes (1948)

    Gallery | (263 images)

    Malombra (1917)

    Gallery | (23 images)

    Blood and Sand (1941)

    Quote

    Rother, Rainer (1992): Suggestion der Farben. Die Doppelproduktion Immensee und Opfergang. In: Hans-Michael Bock and Michael Töteberg (eds.): Das Ufa-Buch. Kunst und Krisen, Stars und Regisseure, Wirtschaft und Politik. Die internationale Geschichte von Deutschlands grösstem Film-Konzern. Frankfurt a.M.: Zweitausendeins, pp. 452–455, on pp. 453–455. (in German)

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on pp. 7–8.

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on p. 7.

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on p. 7.