• Aesthetics (606)
  • Archive (635)
  • Color Order System (7)
  • Color Vision (61)
  • Committees (7)
  • Companies (1,062)
  • Economics (379)
  • Genre (792)
  • Location (1,025)
  • Narration (27)
  • Person (795)
  • Restoration (96)
  • Subject (192)
  • Technology (1,350)
  • theatre (1)
  • Time (1,362)
  • Unidentified (1)
    • Category

    • Filter

    • Show only

    • Reset

    59 Results


    Gallery | (23 images)

    Blood and Sand (1941)

    Quote

    Slide, Anthony (1985): The Return of Becky Sharp. In: Films in Review, 36, Mar., pp. 148–153.

    Gallery | (52 images)

    Blanche Fury (1948)

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on pp. 8–13.

    Quote

    Street, Sarah; Watkins, Liz (2013): Interview. Christopher Challis. In: Simon Brown, Sarah Street and Liz Watkins (eds.): British Colour Cinema. Practices and Theories. Hampshire: Palgrave Macmillan, pp. 10–30.

    Quote

    Higgins, Scott (2007): Harnessing the Technicolor Rainbow. Color Design in the 1930s. Austin: University of Texas Press, on pp. 115–124.

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on pp. 8–13.

    Gallery | (23 images)

    Heaven Can Wait (1943)

    Gallery | (7 images)

    Becky Sharp (1935)

    Gallery | (35 images)

    The Mikado (1939)

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on pp. 8–13.

    Gallery | (26 images)