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    58 Results


    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on pp. 8–13.

    Gallery | (52 images)

    Blanche Fury (1948)

    Gallery | (11 images)

    Night and Day (1946)

    Gallery | (30 images)

    La Cucaracha (1934)

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on pp. 8–13.

    Gallery | (32 images)

    The Red Shoes (1948)

    Quote

    Flückiger, Barbara (2015): Zwischen Chromophobie und Farbrausch. Entwicklungslinien des frühen Technicolor. In: Connie Betz, Annike Schaefer and Rainer Rother (eds.): Glorious Technicolor. Berlin: Bertz und Fischer, pp. 21–47, on p. 36. (in German)

    Gallery | (42 images)

    Wilson (1944)

    Gallery | (64 images)

    Black Narcissus (1947)

    Gallery | (26 images)

    A Star Is Born (1937)

    Quote

    Slide, Anthony (1985): The Return of Becky Sharp. In: Films in Review, 36, Mar., pp. 148–153.

    Gallery | (23 images)

    Heaven Can Wait (1943)

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on pp. 8–13.

    Gallery | (35 images)

    The Mikado (1939)

    Gallery | (7 images)

    Becky Sharp (1935)

    Quote

    Higgins, Scott (2007): Harnessing the Technicolor Rainbow. Color Design in the 1930s. Austin: University of Texas Press, on pp. 115–124.

    Gallery | (23 images)

    Blood and Sand (1941)

    Quote

    Basten, Fred E. (1980): Glorious Technicolor. The Movies’ Magic Rainbow. South Brunswick: Barnes, on pp. 67–71.

    Quote

    Huntley, John (1949): British Technicolor Films. Cornhill, London: Skelton Robinson, on pp. 20–25.

    Quote

    Street, Sarah (2009): ‘Colour Consciousness’. Natalie Kalmus and Technicolor in Britain. In: Screen, 50,2, pp. 191‒215, on pp. 199–206.