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    24 Results

    Gallery | (51 images)

    Doctor X (1932)

    Gallery | (13 images)

    Mystery of the Wax Museum (1933)

    Gallery | (7 images)

    Becky Sharp (1935)

    Gallery | (44 images)

    The Love Charm (1928)

    Gallery | (30 images)

    Maud Muller (1928)

    Gallery | (77 images)

    Whoopee! (1930)

    Gallery | (277 images)

    King of Jazz (1930)

    Gallery | (30 images)

    La Cucaracha (1934)

    Gallery | (23 images)

    Blood and Sand (1941)

    Quote

    Higgins, Scott (2000): Demonstrating Three-Colour Technicolor. Early Three-Colour Aesthetics and Design. In: Film History, 12,4, pp. 358–383, on pp. 364–371.

    Quote

    Keating, Patrick (2010): Hollywood Lighting from the Silent Era to Film Noir. Columbia University Press: New York, on pp. 208–221.

    Quote

    Behlmer, Rudy (1964): Technicolor. In: Films in Review, 15,6, pp. 333–351, on pp. 337–342.

    Quote

    Behlmer, Rudy (1964): Technicolor. In: Films in Review, 15,6, pp. 333–351, on pp. 343–348.

    Quote

    Haller, Ernest (1939): Faster Color Film Cuts Light a Half. In: American Cinematographer, Aug., pp. 355–356.

    Quote

    Layton, James; Pierce, David (2015): The Dawn of Technicolor. Rochester: George Eastman House, on p. 114.

    Quote

    Layton, James; Pierce, David (2015): The Dawn of Technicolor. Rochester: George Eastman House, on p. 112.

    Quote

    Layton, James; Pierce, David (2015): The Dawn of Technicolor. Rochester: George Eastman House, on pp. 99–102.

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 150–151. (in Italian)

    Quote

    Bourget, Jean-Loup (1995): Esthétiques du Technicolor. In: Jacques Aumont (ed.): La couleur au cinéma. Mailand: Mazzotta, pp. 110–119, on p. 112. (in French)

    Quote

    Keating, Patrick (2010): Hollywood Lighting from the Silent Era to Film Noir. Columbia University Press: New York, on p. 216.

    Quote

    Keating, Patrick (2010): Hollywood Lighting from the Silent Era to Film Noir. Columbia University Press: New York, on p. 216.

    Quote

    Heckman, Heather (2013): The Cameraman and the Glamour-Puss. Technicolor Cinematography and Design in John Ford’s Drums Along the Mohawk. In: Brown, Simon; Street, Sarah; Watkins, Liz: Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 160–169.

    Quote

    D’haeyere, Hilde (2013): Technicolor – Multicolor – Sennett-Color. Natural Color Processes in Mack Sennett Comedies 1926-1931. In: Brown, Simon; Street, Sarah; Watkins, Liz: Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 23–36, on pp. 26–29.