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    273 Results



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    Gentlemen Prefer Blondes (1953)


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    Pathé Manual (1926)


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    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    Quote

    Traber, Bodo (1995): Dramaturgische Funktionen monochromer Farbgebung im Stummfilm. In: Karl-Dietmar Möller-Nass Möller-Nass, Hasko Schneider and Hans J. Wulff (eds.): 1. Film- und Fernsehwissenschaftliches Kolloquium. Münster: MAkS, pp. 30–36, on pp. 32–35. (in German)

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    The Black Swan (1942)


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    Gentlemen Prefer Blondes (1953)


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    Gentlemen Prefer Blondes (1953)


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    L’Antre infernal (1905)


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    Metal tones on Eastman tinted nitrate base film


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    Blanche Fury (1948)


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    Gentlemen Prefer Blondes (1953)


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    Gentlemen Prefer Blondes (1953)


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    Gentlemen Prefer Blondes (1953)


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    La perception et l’imaginaire (1964)


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    La Vestale (1908)

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    An American in Paris (1951)


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    Gentlemen Prefer Blondes (1953)


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    Pathé Manual (1926)


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    Gentlemen Prefer Blondes (1953)


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    Agfa Kine-Handbuch [1925]


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    Gentlemen Prefer Blondes (1953)


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    Rund um die Welt in 2 Stunden


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    La Vestale (1908)


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    La Vestale (1908)


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    Le Ballon rouge (1956)


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    The Phantom of the Opera (1925)

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on pp. 8–13.

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    The Four Feathers (1939)


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    Pathé Manual (1926)


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    La Vestale (1908)