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    303 Results


    Quote

    Traber, Bodo (1995): Dramaturgische Funktionen monochromer Farbgebung im Stummfilm. In: Karl-Dietmar Möller-Nass Möller-Nass, Hasko Schneider and Hans J. Wulff (eds.): 1. Film- und Fernsehwissenschaftliches Kolloquium. Münster: MAkS, pp. 30–36, on p. 35. (in German)


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    Pathé Manual (1926)

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    Gentlemen Prefer Blondes (1953)


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    I tre volti della paura (1963)


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    Gentlemen Prefer Blondes (1953)

    Gallery | (21 images)

    Steel (1945)


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    The Thief of Bagdad (1940)

    Quote

    Traber, Bodo (1995): Dramaturgische Funktionen monochromer Farbgebung im Stummfilm. In: Karl-Dietmar Möller-Nass Möller-Nass, Hasko Schneider and Hans J. Wulff (eds.): 1. Film- und Fernsehwissenschaftliches Kolloquium. Münster: MAkS, pp. 30–36, on pp. 33–34. (in German)


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    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

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    The Adventures of Robin Hood (1938)


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    Gentlemen Prefer Blondes (1953)


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    Gentlemen Prefer Blondes (1953)


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    Rund um die Welt in 2 Stunden

    Quote

    Watkins, Liz (2015): Don’t Look Now. Transience and Text. In: Screen, 4,56, pp. 436–449, on p. 444.

    Quote

    Tessier, Max (1992): De la couleur dans les films japonais. In: Yann Tobin: Dossier. La couleur du cinéma. In: Positif, 375–376, May, pp. 121–158, on pp. 152–153. (in French)

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    The Four Feathers (1939)


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    Flashdance (1983)


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    Gentlemen Prefer Blondes (1953)

    Quote

    Allen, Richard (2006): Hitchcock’s Color Designs. In: Angela Dalle Vacche and Brian Price (eds.): Color. The Film Reader. New York: Routledge, pp. 131–144, on pp. 134–142.

    Quote

    Allen, Richard (2006): Hitchcock’s Color Designs. In: Angela Dalle Vacche and Brian Price (eds.): Color. The Film Reader. New York: Routledge, pp. 131–144, on pp. 131–134.

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    Watkins, Liz (2015): Don’t Look Now. Transience and Text. In: Screen, 4,56, pp. 436–449, on pp. 447–448.


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    La Vestale (1908)

    Quote

    Watkins, Liz (2013): Interview. João S. De Oliveira, Hon. FBKS. In: Simon Brown, Sarah Street and Liz Watkins (eds.): British Colour Cinema. Practices and Theories. Hampshire: Palgrave Macmillan, pp. 171–185, on pp. 175–185.


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    La Vestale (1908)


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    L’Antre infernal (1905)


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    Pathé Manual (1926)

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    Pathé Manual (1926)

    Quote

    Stagni, Piercesare; Valente, Valentina (2018): On Suspiria and Beyond. A Conversation with Cinematographer Luciano Tovoli. Artdigiland Edition, on pp. 67–80.

    Quote

    Potts, Neill (2005): Character Interiority. Space, Point of View and Performance in Hitchcock’s Vertigo (1958). In: John Gibbs and Douglas Pye (eds.): Style and Meaning. Studies in the Detailed Analysis of Film. Manchester: Manchester University Press, pp. 85–97, on pp. 93–94.