• Aesthetics (591)
  • Archive (633)
  • Color Order System (7)
  • Color Vision (59)
  • Committees (7)
  • Companies (1,056)
  • Economics (374)
  • Genre (790)
  • Location (1,020)
  • Narration (27)
  • Person (781)
  • Restoration (95)
  • Subject (190)
  • Technology (1,336)
  • theatre (1)
  • Time (1,354)
  • Unidentified (1)
    • Category

    • Filter

    • Show only

    • Reset

    305 Results



    Image

    Pathé Manual (1926)

    Image

    Gentlemen Prefer Blondes (1953)


    Image

    Rund um die Welt in 2 Stunden

    Quote

    Tessier, Max (1992): De la couleur dans les films japonais. In: Yann Tobin: Dossier. La couleur du cinéma. In: Positif, 375–376, May, pp. 121–158, on pp. 152–153. (in French)

    Image

    BFI C-1082943 DontLookNow unknown R1 JK Img3768

    Quote

    Street, Sarah; Yumibe, Joshua (2013): The Temporalities of Intermediality. Colour in Cinema and the Arts of the 1920s. In: Early Popular Visual Culture, 11,2, May, pp. 140–157, on pp. 149–151.


    Image

    La Vestale (1908)

    Quote

    Higgins, Scott (2007): Harnessing the Technicolor Rainbow. Color Design in the 1930s. Austin: University of Texas Press, on pp. 9–13.


    Image

    Rund um die Welt in 2 Stunden


    Image

    Agfa Kine-Handbuch [1925]


    Image

    Pathé Manual (1926)

    Quote

    Allen, Richard (2006): Hitchcock’s Color Designs. In: Angela Dalle Vacche and Brian Price (eds.): Color. The Film Reader. New York: Routledge, pp. 131–144, on pp. 132–138.


    Image

    Pathé Manual (1926)


    Image

    The Thief of Bagdad (1940)

    Quote

    Stagni, Piercesare; Valente, Valentina (2018): On Suspiria and Beyond. A Conversation with Cinematographer Luciano Tovoli. Artdigiland Edition, on pp. 67–80.


    Image

    Gentlemen Prefer Blondes (1953)


    Image

    The Black Swan (1942)

    Quote

    Ames, Preston (1951): The Ballet (An American in Paris). In: Production Design, 1,11, pp. 6–9, on pp. 6–8.


    Image

    The Phantom of the Opera (1925)


    Image

    L’Antre infernal (1905)


    Image

    Gentlemen Prefer Blondes (1953)


    Image

    L’Antre infernal (1905)


    Image

    Gentlemen Prefer Blondes (1953)


    Image

    An American in Paris (1951)

    Image

    Pathé Manual (1926)


    Image

    Pathé Manual (1926)

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on pp. 8–13.


    Image

    Blanche Fury (1948)


    Image

    Agfa Kine-Handbuch [1925]


    Image

    Gentlemen Prefer Blondes (1953)