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    57 Results



    Image

    Blanche Fury (1948)

    Quote

    Dreyer, David (1982): Blade Runner. Special Photographic Effects. In: American Cinematographer, 63,7, pp. 692–693, 725–732, on pp. 692–693.


    Image

    A Star Is Born (1937)

    Quote

    Allen, Richard (2006): Hitchcock’s Color Designs. In: Angela Dalle Vacche and Brian Price (eds.): Color. The Film Reader. New York: Routledge, pp. 131–144, on pp. 132–134.

    Quote

    Keating, Patrick (2010): Hollywood Lighting from the Silent Era to Film Noir. Columbia University Press: New York, on p. 217.

    Quote

    Slide, Anthony (1985): The Return of Becky Sharp. In: Films in Review, 36, Mar., pp. 148–153, on pp. 150–151.


    Image

    The Four Feathers (1939)

    Quote

    Layton, James; Pierce, David (2015): The Dawn of Technicolor. Rochester: George Eastman House, on pp. 129–133.

    Quote

    Watkins, Liz (2015): Don’t Look Now. Transience and Text. In: Screen, 4,56, pp. 436–449, on pp. 447–448.


    Image

    A Star Is Born (1937)

    Quote

    Behlmer, Rudy (1992): High Style on the High Seas. In: American Cinematographer, 73,4, pp. 34–40, on pp. 36–40.

    Quote

    Higgins, Scott (2007): Harnessing the Technicolor Rainbow. Color Design in the 1930s. Austin: University of Texas Press, on pp. 109–113.

    Quote

    Allen, Richard (2006): Hitchcock’s Color Designs. In: Angela Dalle Vacche and Brian Price (eds.): Color. The Film Reader. New York: Routledge, pp. 131–144, on pp. 135–140.


    Image

    The Four Feathers (1939)

    Quote

    Allen, Richard (2006): Hitchcock’s Color Designs. In: Angela Dalle Vacche and Brian Price (eds.): Color. The Film Reader. New York: Routledge, pp. 131–144, on pp. 131–134.

    Quote

    Allen, Richard (2006): Hitchcock’s Color Designs. In: Angela Dalle Vacche and Brian Price (eds.): Color. The Film Reader. New York: Routledge, pp. 131–144, on pp. 134–142.

    Quote

    Yumibe, Joshua (2012): Moving Color. Early Film, Mass Culture, Modernism. New Brunswick et al.: Rutgers University Press, on pp. 130–131.

    Quote

    Allen, Richard (2006): Hitchcock’s Color Designs. In: Angela Dalle Vacche and Brian Price (eds.): Color. The Film Reader. New York: Routledge, pp. 131–144, on pp. 134–141.

    Quote

    Flückiger, Barbara (2015): Zwischen Chromophobie und Farbrausch. Entwicklungslinien des frühen Technicolor. In: Connie Betz, Annike Schaefer and Rainer Rother (eds.): Glorious Technicolor. Berlin: Bertz und Fischer, pp. 21–47, on p. 36. (in German)


    Image

    A Star Is Born (1937)


    Image

    The Four Feathers (1939)

    Quote

    Allen, Richard (2006): Hitchcock’s Color Designs. In: Angela Dalle Vacche and Brian Price (eds.): Color. The Film Reader. New York: Routledge, pp. 131–144, on pp. 134–141.

    Quote

    Lightman, Herb A.; Patterson, Richard (1982): Blade Runner. Production Design and Photography. In: American Cinematographer, 63,7, pp. 684–687, 715–725, on pp. 720–723.

    Quote

    Allen, Richard (2006): Hitchcock’s Color Designs. In: Angela Dalle Vacche and Brian Price (eds.): Color. The Film Reader. New York: Routledge, pp. 131–144, on pp. 135–142.

    Image

    A Star Is Born (1937)

    Quote

    Flückiger, Barbara (2015): Zwischen Chromophobie und Farbrausch. Entwicklungslinien des frühen Technicolor. In: Connie Betz, Annike Schaefer and Rainer Rother (eds.): Glorious Technicolor. Berlin: Bertz und Fischer, pp. 21–47, on p. 41 (in German)


    Image

    A Star Is Born (1937)

    Quote

    Behlmer, Rudy (1964): Technicolor. In: Films in Review, 15,6, pp. 333–351, on p. 346.


    Image

    Seven Brides for Seven Brothers (1954)