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    26 Results


    Image

    Salomé (1922)


    Image

    The Black Swan (1942)


    Image

    Shane (1953)


    Image

    Blanche Fury (1948)


    Image

    Münchhausen (1943)


    Image

    Gaumont Fragments


    Image

    Out of Africa (1985)


    Image

    Terre idéale (1937)


    Image

    The Garden of Allah (1936)


    Image

    Salomé (1922)


    Image

    Münchhausen (1943)


    Image

    Out of Africa (1985)


    Image

    Doctor X (1932)


    Image

    Comment le soleil se couche (1913)


    Image

    Blanche Fury (1948)


    Image

    Terre idéale (1937)

    Image

    Münchhausen (1943)

    Quote

    Yumibe, Joshua (2013): The Illuminated Fairytale. The Colors of Paul Fejo’s Lonesome (1928). In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 127–137.

    Quote

    Yumibe, Joshua (2013): The Illuminated Fairytale. The Colors of Paul Fejo’s Lonesome (1928). In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 127–137.

    Quote

    Yumibe, Joshua (2013): The Illuminated Fairytale. The Colors of Paul Fejo’s Lonesome (1928). In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 127–137.

    Quote

    Viviani, Christian (1992): Le rose carminé de la fleur de cactus. Sur la couleur dans le western. In: Yann Tobin (1992): Dossier. La couleur du cinéma. In: Positif, 375–376, May, pp. 121–158, on pp. 150–151. (in French)

    Quote

    Keating, Patrick (2010): Hollywood Lighting from the Silent Era to Film Noir. Columbia University Press: New York, on pp. 208–221.

    Quote

    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on pp. 15–19.

     

    Quote

    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on p. 47.

    Quote

    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on pp. 46–47.

    Quote

    Heckman, Heather (2013): The Cameraman and the Glamour-Puss. Technicolor Cinematography and Design in John Ford’s Drums Along the Mohawk. In: Brown, Simon; Street, Sarah; Watkins, Liz: Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 160–169.