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    59 Results


    Gallery | (20 images)

    Die Hochbahnkatastrophe (1921)

    Image

    Ben Hur (1925)


    Image

    Comment le soleil se couche (1913)

    Gallery | (29 images)

    Comment le soleil se couche (1913)

    Quote

    Ruivo, Céline (2013): Le Livre de fabrication de la compagnie générale des phonographes cinématographes et appareils de précision. À propos d’une source pour l’histoire des recherches sur la couleur chez Pathé Frères entre 1906 et 1908. In: 1895. Revue d’Histoire du Cinéma, 71, pp. 47–60, on p. 56. (in French)

    Quote

    Desmet, Noël; Read, Paul (1998): The Desmetcolor Method for Restoring Tinted and Toned Films. In: Luciano Berriatúa, Manlio Brusatin, Noël Desmet, Enrico Fornaroli, Giovanna Fossati, Bertrand Lavedrine, Bob Mabberley, Nicola Mazzanti, Ruggero Pierantoni, Paul Read and Sonja Snoek: Tutti i colori del mondo. Il colore nei mass media tra 1900 e 1930. = All the colours of the world. Reggio Emilia: Edizione Diabasis, pp. 147–150.

    Quote

    Desmet, Noël; Read, Paul (1998): The Desmetcolor Method for Restoring Tinted and Toned Films. In: Luciano Berriatúa, Manlio Brusatin, Noël Desmet, Enrico Fornaroli, Giovanna Fossati, Bertrand Lavedrine, Bob Mabberley, Nicola Mazzanti, Ruggero Pierantoni, Paul Read and Sonja Snoek: Tutti i colori del mondo. Il colore nei mass media tra 1900 e 1930. = All the colours of the world. Reggio Emilia: Edizione Diabasis, pp. 147–150.

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    Layton, James; Pierce, David (2015): The Dawn of Technicolor. Rochester: George Eastman House, on pp. 99–102.

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    Ruivo, Céline (2013): Le Livre de fabrication de la compagnie générale des phonographes cinématographes et appareils de précision. À propos d’une source pour l’histoire des recherches sur la couleur chez Pathé Frères entre 1906 et 1908. In: 1895. Revue d’Histoire du Cinema, 71, 2013, pp. 47–60, on p. 56. (in French)

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    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on p. 20.

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    Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on p. 20.

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    Abel, Richard (1996): Pathé’s “Heavenly Billboards”. In: Monica Dall’Asta, Guglielmo Pescatore and Leonardo Quaresima (eds.): Il colore nel cinema muto. Bologna: Clueb, pp. 56–76, on p. 61.

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    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 52–53. (in Italian)

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    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 52–53. (in Italian)

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on p. 20. (in Italian)

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    Layton, James; Pierce, David (2015): The Dawn of Technicolor. Rochester: George Eastman House, on pp. 111–112.

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    Layton, James; Pierce, David (2015): The Dawn of Technicolor. Rochester: George Eastman House, on pp. 111–112.

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    Alt, Dirk (2011): “Der Farbfilm marschiert!”. Frühe Farbfilmverfahren und NS-Propaganda 1933-1945. München: Belleville, on pp. 36–37. (in German)

     

    Quote

    Alt, Dirk (2011): “Der Farbfilm marschiert!”. Frühe Farbfilmverfahren und NS-Propaganda 1933-1945. München: Belleville, on pp. 36–37. (in German)

     

    Quote

    Alt, Dirk (2011): “Der Farbfilm marschiert!”. Frühe Farbfilmverfahren und NS-Propaganda 1933-1945. München: Belleville, on pp. 36–37. (in German)

     

    Quote

    Alt, Dirk (2011): “Der Farbfilm marschiert!”. Frühe Farbfilmverfahren und NS-Propaganda 1933-1945. München: Belleville, on pp. 36–37. (in German)