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    401 Results


    Quote

    Coote, Jack H. (1993): The Illustrated History of Colour Photography. Surbiton, Surrey: Fountain Press, on p. 165.

    Gallery | (149 images)

    The Affairs of Anatol (1921)

    Gallery | (9 images)

    Moulin Rouge (1952)

    Gallery | (11 images)

    The Black Swan (1942)

    Gallery | (11 images)

    Night and Day (1946)

    Quote

    Degenhardt, Inge (1996): On the Absence and Presence of Colour in Film. In: Monica Dall’Asta, Guglielmo Pescatore and Leonardo Quaresima (eds.): Il colore nel cinema muto. Bologna: Clueb, pp. 88–102, on pp. 95–96.

    Gallery | (41 images)

    Batman (1989)

    Gallery | (16 images)

    Redskin (1929)

    Gallery | (240 images)

    The Woman God Forgot (1917)

    Quote

    Coote, Jack H. (1993): The Illustrated History of Colour Photography. Surbiton, Surrey: Fountain Press, on p. 161.

    Gallery | (7 images)

    Moby Dick (1956)

    Quote

    Merritt, Russell (2008): Crying in Color. How Hollywood Coped When Technicolor Died. In: Journal of the National Film and Sound Archive, Australia, 3,2/3, pp. 1–16, on pp. 8–13.

    Gallery | (39 images)

    Jaws (1975)

    Quote

    Al Salti, Nadia (2009): Le rouge sang du nouvel Hollywood. Bonnie and Clyde, The Wild Bunch, The Big Save. In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 417–425, on pp. 417–425. (in French)

    Quote

    Eggert, John (1932): Kurzer Überblick über den Stand der Farbenkinematographie. In: Bericht über den VIII. Internationalen Kongress für wissenschaftliche und angewandte Photographie, Dresden 1931. Leipzig: J. A. Barth, pp. 214–221, on pp. 215–218. (in German)

    Gallery | (32 images)

    Shane (1953)

    Quote

    Coote, Jack H. (1993): The Illustrated History of Colour Photography. Surbiton, Surrey: Fountain Press, on pp. 163–164.

    Gallery | (14 images)

    The Quiet Man (1952)

    Gallery | (26 images)

    Inklings (1924)