Source: Eastman Kodak Company (1918): Tinting and Toning of Eastman Positive Motion Picture Film. Rochester, NY.
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Overview toning, backlight. Credit: Clayton Scoble and Stephen Jennings, Harvard University, Fine Arts Library. Source: Eastman Kodak Company (1918): Tinting and Toning of Eastman Positive Motion Picture Film. Rochester, NY.
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Overview toning, toplight. Credit: Clayton Scoble and Stephen Jennings, Harvard University, Fine Arts Library. Source: Eastman Kodak Company (1918): Tinting and Toning of Eastman Positive Motion Picture Film. Rochester, NY.
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Tone C-Red Brown (Uranium). Credit: Clayton Scoble and Stephen Jennings, Harvard University, Fine Arts Library. Source: Eastman Kodak Company (1918): Tinting and Toning of Eastman Positive Motion Picture Film. Rochester, NY.
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Tone D-Brown (Uranium). Credit: Clayton Scoble and Stephen Jennings, Harvard University, Fine Arts Library. Source: Eastman Kodak Company (1918): Tinting and Toning of Eastman Positive Motion Picture Film. Rochester, NY.
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Tone E-Sepia (Uranium and Iron). Credit: Clayton Scoble and Stephen Jennings, Harvard University, Fine Arts Library. Source: Eastman Kodak Company (1918): Tinting and Toning of Eastman Positive Motion Picture Film. Rochester, NY.
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Tone F (Sulphide). Credit: Clayton Scoble and Stephen Jennings, Harvard University, Fine Arts Library. Source: Eastman Kodak Company (1918): Tinting and Toning of Eastman Positive Motion Picture Film. Rochester, NY.
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Tone I-Pale Blue (Iron). Credit: Clayton Scoble and Stephen Jennings, Harvard University, Fine Arts Library. Source: Eastman Kodak Company (1918): Tinting and Toning of Eastman Positive Motion Picture Film. Rochester, NY.