Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum.
Photographs of the tinted, toned and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
See all tinted images here.
See toned images here.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.