Leave Her to Heaven (USA 1945, John M. Stahl).
Credit: UCLA Film & Television Archive.
Photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
Selected Analyses:
Higgins, Scott (2013): Chromo-Drama. Innovation and Convention in Douglas Sirk’s Color Designs. In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 170-178, on pp. 173-174. View Quote
Keating, Patrick (2010): Hollywood Lighting from the Silent Era to Film Noir. Columbia University Press: New York, on pp. 219–220. View Quote
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Leave Her to Heaven (USA 1945, John M. Stahl). Credit: UCLA Film & Television Archive. HDR photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
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ShowHide details
Leave Her to Heaven (USA 1945, John M. Stahl). Credit: UCLA Film & Television Archive. HDR photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
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ShowHide details
Leave Her to Heaven (USA 1945, John M. Stahl). Credit: UCLA Film & Television Archive. HDR photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
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ShowHide details
Leave Her to Heaven (USA 1945, John M. Stahl). Credit: UCLA Film & Television Archive. HDR photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
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ShowHide details
Leave Her to Heaven (USA 1945, John M. Stahl). Credit: UCLA Film & Television Archive. HDR photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
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ShowHide details
Leave Her to Heaven (USA 1945, John M. Stahl). Credit: UCLA Film & Television Archive. HDR photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
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ShowHide details
Leave Her to Heaven (USA 1945, John M. Stahl). Credit: UCLA Film & Television Archive. HDR photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
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ShowHide details
Leave Her to Heaven (USA 1945, John M. Stahl). Credit: UCLA Film & Television Archive. HDR photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
Leave Her to Heaven (USA 1945, John M. Stahl). Credit: UCLA Film & Television Archive. HDR photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
Leave Her to Heaven (USA 1945, John M. Stahl). Credit: UCLA Film & Television Archive. HDR photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
Leave Her to Heaven (USA 1945, John M. Stahl). Credit: UCLA Film & Television Archive. HDR photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
Leave Her to Heaven (USA 1945, John M. Stahl). Credit: UCLA Film & Television Archive. HDR photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
Leave Her to Heaven (USA 1945, John M. Stahl). Credit: UCLA Film & Television Archive. HDR photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
Leave Her to Heaven (USA 1945, John M. Stahl). Credit: UCLA Film & Television Archive. HDR photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
Leave Her to Heaven (USA 1945, John M. Stahl). Credit: UCLA Film & Television Archive. HDR photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
Leave Her to Heaven (USA 1945, John M. Stahl). Credit: UCLA Film & Television Archive. HDR photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
Leave Her to Heaven (USA 1945, John M. Stahl). Credit: UCLA Film & Television Archive. HDR photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
Leave Her to Heaven (USA 1945, John M. Stahl). Credit: UCLA Film & Television Archive. HDR photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.