Opfergang (GER 1944, Veit Harlan)
Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
Selected Analyses:
Grob, Norbert (1991): Farbe im Auge, Ausdruck im Kopf. Hein Heckroths Farbdramaturgien für Powell & Pressburger. In: Katharina Spielhaupter (ed.): Hein Heckroth. Frankfurt/M.: Filmmuseum, pp. 57–78, on p. 63. (in German) View Quote
Rother, Rainer (1992): Suggestion der Farben. Die Doppelproduktion Immensee und Opfergang. In: Hans-Michael Bock and Michael Töteberg (eds.): Das Ufa-Buch. Kunst und Krisen, Stars und Regisseure, Wirtschaft und Politik. Die internationale Geschichte von Deutschlands grösstem Film-Konzern. Frankfurt a.M.: Zweitausendeins, pp. 452–455, on pp. 454–455. (in German) View Quote
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Immensee (GER 1943, Veit Harlan). Credit: Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor print by Barbara Flueckiger.
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Immensee (GER 1943, Veit Harlan). Credit: Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor print by Barbara Flueckiger.
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Immensee (GER 1943, Veit Harlan). Credit: Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Immensee (GER 1943, Veit Harlan). Credit: Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor print by Barbara Flueckiger.
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Immensee (GER 1943, Veit Harlan). Credit: Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor print by Barbara Flueckiger.
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Immensee (GER 1943, Veit Harlan). Credit: Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor print by Barbara Flueckiger.
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Immensee (GER 1943, Veit Harlan). Credit: Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor print by Barbara Flueckiger.
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Immensee (GER 1943, Veit Harlan). Credit: Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor print by Barbara Flueckiger.
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Immensee (GER 1943, Veit Harlan). Credit: Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor print by Barbara Flueckiger.
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Immensee (GER 1943, Veit Harlan). Credit: Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.
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Opfergang (GER 1944, Veit Harlan). Credit: Filmmuseum Düsseldorf and Friedrich-Wilhelm-Murnau-Stiftung. Photographs of the Agfacolor safety print by Barbara Flueckiger.