Technicolor No. V Samples (Kodak Film Samples Collection).
Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection).
Photographs of the Technicolor No. V dye-transfer safety prints, color separations and negatives by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. V Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. V dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. V Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. V dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. V Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the black and white separation negative by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. V Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the black and white separation negative by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. V Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the black and white separation negative by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. V Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the black and white separation negative by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. V Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the black and white separation negative by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. V Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the black and white separation negative by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. V Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the black and white separation negative by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. V Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the color negative by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. V Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the matrices by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. V Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the matrices by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. V Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the matrices by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. V Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the matrices by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. V Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the matrices by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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The Geisha Boy (USA 1958, Frank Tashlin), Technicolor No. V Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photograph of the Technicolor No. V dye-transfer safety print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Bend of the River (USA 1952, Anthony Mann), Technicolor No. V Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photograph of the Technicolor No. V dye-transfer safety print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.