The Thief of Bagdad (USA 1924, Raoul Walsh and Douglas Fairbanks Sr.). Credit: Library of Congress. Photographs of the tinted and toned nitrate frames by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
See toned frames only here.
Contemporary Reception:
Anonymous (1924): Fairbanks and Fastasy. In: The New York Times, Mar., p. 5. View Quote
Full text on The New York Times website. View Link
Anonymous (1924): The Shadow Stage. A Review of the New Pictures. The Thief of Bagdad. In: Photoplay, XXV,6, May, p. 54. View Quote
Full text on the Media History Digital Library website. View Link
Selected Analyses:
Fischer, Lucy (2017): Cinema by Design. Art Nouveau, Modernism and Film History. New York: Columbia University Press, on p. 109. View Quote
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The Thief of Bagdad (USA 1924, Raoul Walsh and Douglas Fairbanks Sr.). Credit: Library of Congress. Photographs of the tinted and toned nitrate frames from 1923 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide details
The Thief of Bagdad (USA 1924, Raoul Walsh and Douglas Fairbanks Sr.). Credit: Library of Congress. Photographs of the tinted and toned nitrate frames from 1923 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide details
The Thief of Bagdad (USA 1924, Raoul Walsh and Douglas Fairbanks Sr.). Credit: Library of Congress. Photographs of the tinted and toned nitrate frames from 1923 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (USA 1924, Raoul Walsh and Douglas Fairbanks Sr.). Credit: Library of Congress. Photographs of the tinted and toned nitrate frames from 1923 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (USA 1924, Raoul Walsh and Douglas Fairbanks Sr.). Credit: Library of Congress. Photographs of the tinted and toned nitrate frames from 1923 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (USA 1924, Raoul Walsh and Douglas Fairbanks Sr.). Credit: Library of Congress. Photographs of the tinted and toned nitrate frames from 1923 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (USA 1924, Raoul Walsh and Douglas Fairbanks Sr.). Credit: Library of Congress. Photographs of the tinted and toned nitrate frames from 1923 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (USA 1924, Raoul Walsh and Douglas Fairbanks Sr.). Credit: Library of Congress. Photographs of the tinted and toned nitrate frames from 1923 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (USA 1924, Raoul Walsh and Douglas Fairbanks Sr.). Credit: Library of Congress. Photographs of the tinted nitrate frames from 1923 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (USA 1924, Raoul Walsh and Douglas Fairbanks Sr.). Credit: Library of Congress. Photographs of the tinted nitrate frames from 1923 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (USA 1924, Raoul Walsh and Douglas Fairbanks Sr.). Credit: Library of Congress. Photographs of the tinted nitrate frames from 1923 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (USA 1924, Raoul Walsh and Douglas Fairbanks Sr.). Credit: Library of Congress. Photographs of the tinted nitrate frames from 1923 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (USA 1924, Raoul Walsh and Douglas Fairbanks Sr.). Credit: Library of Congress. Photographs of the tinted nitrate frames from 1923 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.