Comparison of two different prints of The Thief of Bagdad (GBR 1940, Ludwig Berger, Michael Powell, Tim Whelan).
Credit: Academy Film Archive.
Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
Credit: BFI National Archive.
Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
Contemporary Reception:
Anonymous (1940): Film Reviews. The Thief of Bagdad. In: Variety, 140,6, Oct., p. 16. View Quote
Anonymous (1940): Reviews of the New Films. The Thief of Bagdad. In: The Film Daily, 78,75, Oct., p. 7. View Quote
Anonymous (1940): The Thief of Bagdad. In: Motion Picture Reviews, XV,11, Nov., pp. 10–11.View Quote
Anonymous (1940): Thief of Bagdad with Conrad Veidt, Sabu, June Duprez and John Justin. In: Harrison’s Reports, XXII,43, Oct., p. 170. View Quote
Anonymous (1941): The Shadow Stage. Reviewing Movies of the Month. The Thief of Bagdad. In: Photoplay, 18,2, Jan., p. 11. View Quote
Crowther, Bosley (1940): The Thief of Bagdad, a Delightful Fairy Tale, at the Music Hall. In: The New York Times, 6 December 1940, p. 28. View Quote
Full text on The New York Times website. View Link
Huntley, John (1949): British Technicolor Films. Cornhill, London: Skelton Robinson, on pp. 44–47. View Quote
Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900–55. Basingstoke, Hampshire: Palgrave Macmillan, on p. 67. View Quote
Waterbury, Ruth (1941): Close Ups and Long Shots. In: Photoplay, 18,2, Jan., p. 4 and p. 74, on p. 74. View Quote
Selected Analyses:
Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900–55. Basingstoke, Hampshire: Palgrave Macmillan, on pp. 65–67 View Quote and on p. 178. View Quote
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
The Thief of Bagdad (GBR 1940, Ludwig Berger; Michael Powell; Tim Whelan). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1939 by Michelle Beutler, ERC Advanced Grant FilmColors.