Sovcolor negative film type B
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Skleněné varhany (Stěklanna je garmonika, Andrej Chržanovskij, USSR 1968). Credit: Národní filmový archiv / National Film Archive, Prague. Photograph by Barbara Flueckiger
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Secondary Sources
Beyer, Friedemann; Koshofer, Gert; Krüger, Michael (2010): UFA in Farbe. Technik, Politik und Starkult zwischen 1936 und 1945. München: Collection Rolf Heyne, on pp. 54–55. (in German) View Quote
Happé, Bernard (1984): 80 Years of Colour Cinematography. London: British Kinematograph Sound & Television Society, p. 16. View Quote
Koshofer, Gert (1966): Fünfundzwanzig Jahre deutscher Farbenspielfilm. In: Film – Kino – Technik, 20,10, 1966, pp. 259-262, on p. 261. (in German) View Quote
Koshofer, Gert (1999): Die Agfacolor Story. In: Weltwunder der Kinematographie, 5, 1999, pp. 7-106, on p. 29. View Quote
Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 191–192. (in Italian) View Quote
Pinel, Vincent (1992): La forêt des techniques. In: Michel Ciment (ed.): Ciné mémoire. Colloque international d’information (7-9 octobre 1991). Paris: Femis, pp. 17-24, on pp. 21-24. (in French) View Quote
Films
Ivan Groznyi (Sergej Eisenstein, USSR 1946)3
Ivan Groznyj II: Bojarskij zagovor (Ivan the Terrible II, Sergej Eisenstein, USSR 1946)2
Boris Godunov (USSR 1954, Vera Stroyeva, Magicolor)1
Vozvraščenije Vasilija Bortnikova (The return of Vasili Bortnikov, Vsevolod Pudovkin, USSR 1953, Magicolor)2
1 Mamoulian, Rouben (1960): Color and Light in Films. The Esthetics of Colour. In: Film Culture, 21, pp. 68–79.
2 Pierotti, Federico (2016): Un’archeologia del colore nel cinema italiano. Dal Technicolor ad Antonioni. Pisa: Edizioni ETS, on pp. 195–196. (in Italian)
3 Pierotti, Federico (2016): Un’archeologia del colore nel cinema italiano. Dal Technicolor ad Antonioni. Pisa: Edizioni ETS, on p. 115. (in Italian)
Production Reports
Ivan Groznyi (Sergej Eisenstein, USSR 1946):
Eisenstein, Sergei (1949): Colour Film. In: Bill Nichols (ed.): Movies and Methods. Los Angeles: University of California Press, 1976, pp. 381–388. View Quote
