Szczepanik
Description
“The process of J. Szczepanik in 1925 was impracticable. He used a non-intermittent camera having a chain of eighteen lenses moving together with the film behind a collimating lens, three pictures being simultaneously exposed.”
(Klein, Adrian Bernhard = Cornwell-Clyne (1940): Colour Cinematography. Boston: American Photographic Pub. Co., 2nd revised edition, p. 159.)
Original Technical Papers and Primary Sources
Spanuth, Heinrich; Hohnhold, Richard (1925): Aufnahme- und Wiedergabeapparat für Kinematographie in natürlichen Farben nach Szczepanik. In: Die Kinotechnik, 7,7, Apr., pp. 157–162. (in German) View Quote
Szczepanik, Jan (1924): Kinematographie in natürlichen Farben (II). In: Die Kinotechnik, 6,17, pp. 293-297 View Quote and 6,18, pp. 322-329 View Quote. (in German)
Tietze, Paul (1925): Erfahrungen bei farbigen Kinoaufnahmen. In: Die Kinotechnik, 7,6, Mar., pp. 129–131. (in German) View Quote
Secondary Sources
Alt, Dirk (2011): “Der Farbfilm marschiert!” Frühe Farbfilmverfahren und NS-Propaganda 1933-1945. München: Belleville, on pp. 46–47. (in German) View Quote
Coe, Brian (1981): The History of Movie Photography. Westfield, N.J.: Eastview Editions, p. 123. View Quote
Klein, Adrian Bernhard = Cornwell-Clyne (1940): Colour Cinematography. Boston: American Photographic Pub. Co., 2nd revised edition, p. 159. View Quote
Contemporary Reception
Anonymous (1925): Die erste Vorführung des Farbenfilms, System Szczepanik. In: Die Kinotechnik, 7,3, pp. 61–63. (in German) View Quote
