Sirius

Subtractive 2 color: Beam-splitter, double-coated
“The Dutch Sirius Color process (1929) used a camera with a beamsplitting system behind the lens to expose a single film, the film passing through two gates at right angles to each other. The double-coated print film was dye-toned. The process ...

142 Images in 4 Galleries

Sistema Cristiani-Mascarini

Additive four-color: beam splitter and filters, four images on 35mm black and white film.
For this four-color process, the light beam was decomposed into four parts, each of which simultaneously exposed an area equal to one quarter of the 35mm frame of a black and white negative. This was obtained optically by placing a diaphragm and a ...

2 Images

Sovcolor negative film type B

Subtractive 3 color: Chromogenic monopack, daylight

15 Images in 3 Galleries

Sovcolor negative type G

Subtractive 3 color: Chromogenic monopack, Tungsten

Spectracolor (= British version of Ufacolor)

Subtractive 2 color: Bi-pack, mordant toning

Spicer-Dufay

Additive 3 color: Line screen (réseau), 35 mm reversal
For a description of Spicer-Dufay see detail page on Dufaycolor)

78 Images in 2 Galleries

Splendicolor

Subtractive 3 color: Beam-splitter, double-coated film, bichromated gelatin, Pinatype

Super Anscochrome Daylight, type 225

Subtractive 3 color: Chromogenic monopack, reversal, 16mm
See Anscochrome and Super Anscochrome Tungsten, type 226.

Super Anscochrome Tungsten, type 226

Subtractive 3 color: Chromogenic monopack, reversal, 16mm
See Anscochrome and Super Anscochrome Daylight, type 225.

Supercinecolor / Natural Color

Subtractive 3 color: Color separation, duplitized film, third layer added

Svema CO-T-22 D

Subtractive 3 color: Chromogenic monopack

Svema CO-T-90 L

Subtractive 3 color: Chromogenic monopack

Svema DS-1

Subtractive 3 color: Chromogenic monopack

Svema DS-2

Subtractive 3 color: Chromogenic monopack

Svema DS-3

Subtractive 3 color: Chromogenic monopack

Svema DS-4

Subtractive 3 color: Chromogenic monopack

Svema DS-5M

Subtractive 3 color: Chromogenic monopack

Svema LN-1

Subtractive 3 color: Chromogenic monopack

Svema LN-2

Subtractive 3 color: Chromogenic monopack

Svema LN-3

Subtractive 3 color: Chromogenic monopack

Svema LN-5M

Subtractive 3 color: Chromogenic monopack

Svema LN-6M

Subtractive 3 color: Chromogenic monopack

Svema LN-7

Subtractive 3 color: Chromogenic monopack

Svema LN-8

Subtractive 3 color: Chromogenic monopack

Szczepanik

Additive 3 color: Moving lenses
“The process of J. Szczepanik in 1925 was impracticable. He used a non-intermittent camera having a chain of eighteen lenses moving together with the film behind a collimating lens, three pictures being simultaneously exposed.” (Klein, ...

Taihang Color

Subtractive 3 color: Chromogenic monopack

Talkicolor

Additive 2 color: Alternately stained
“Two-colour additive process Talkicolor was developed by Percy James Pearce along with Dr Anthony Bernardi who was also involved in the development of Raycol. The process was funded mainly by the author Elinor Glyn through her company Elinor ...

3 Images in 1 Gallery

Technic-Colour

Subtractive 2 color: Beam-splitter, duplitized

Technichrome

Subtractive 2 color: Dye transfer, 2 color bi-pack, 3 color printing

4 Images in 1 Gallery

Technicolor Monopack / Kodachrome Professional Type 5267 / Eastman Monopack 7267

Subtractive 3 color: Chromogenic monopack
During the 1940s Kodachrome was used as camera material for films that were blown up to 35mm Technicolor projection prints. Technicolor used this technology from 1942 until the mid-1950s when Eastman Kodak introduced the Eastmancolor ...